Hectic Watermelon - The Great American Road Trip (2006) [CD-Rip]

  • 12 Dec, 08:41
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Artist:
Title: The Great American Road Trip
Year Of Release: 2006
Label: Predator Fish Records
Genre: Jazz, Jazz Rock
Quality: flac lossless (tracks, log, scans)
Total Time: 00:46:57
Total Size: 351 mb
WebSite:

Tracklist

01. Sacred Watershed
02. The Third Derivative of James Brown
03. Bionic Hillbilly
04. F. Street Fulano
05. Dreams of Concrete Jungles
06. Subterranean Rapid Transit
07. Layover in Hamemet
08. Stray Dogs Messaging Project
09. Steve's Stunt Double
10. Twenty-First Century Visigoth
11. Bullets, Dice and 30 Megabytes

Bass – Harley Magsino
Drums – Darren Debree
Electric Violin – Jerry Goodman
Guitar – John Czajkowski


An impressive debut; that's all there is to say about The Great American Road Trip. OK, there's actually a lot more to tell, but after the disc stops spinning, the only thing on your mind will be "What, this is a debut album?!?" Hectic Watermelon is a quirky fusion trio led by a very good guitarist, one of the best kinds of guitarists in fact: the kind that eschews pointless flashiness in favor of wild ideas. John Czajkowski possesses all the necessary skills to pull off a fusion career -- and he does take the time to impress on The Great American Road Trip -- but he is first and foremost a strong composer with a knack for studio work. This album offers a very large sound palette, from madly contorted rock songs ("Twenty-First Century Visigoth," hilarious) to textural sonic experiments ("Layover in Hamemet"). But the bulk of the album consists of spirited fast-paced fusion instrumentals featuring Czajkowski, bassist Harley Mausino, drummer Darren Debree, and none other than Mahavishnu Orchestra's violinist extraordinaire Jerry Goodman as a special guest. Goodman appears on all but two tracks and his trademark sound is put to excellent use in highlights "Bullets, Dice and 30 Megabytes," "The Third Derivative of James Brown" and "Subterranean Rapid Transit." John McLaughlin's influence is felt throughout the album, but Frank Zappa is also quite present -- not in Czajkowski's guitar playing, but in his witty writing and sense of humor. Both entertaining and technically impressive, The Great American Road Trip has enough jazz to titillate fusion fans, enough complexity to please the progressively inclined, but most of all (and despite the above statements about Zappa and McLaughlin) it has its own endearing personality. And that, more than anything else, is what makes it such a strong debut album. Highly recommended.