Brian Auger's Oblivion Express - Voices Of Other Times (1999)
Artist: Brian Auger's Oblivion Express
Title: Voices Of Other Times
Year Of Release: 1999
Label: Sanctuary Records
Genre: Psychedelic Rock, Jazz Rock, Jazz Funk, Art Rock, Prog Rock
Quality: Mp3 320 / Flac (image, .cue, log)
Total Time: 01:03:47
Total Size: 185/423 Mb (scans)
WebSite: Album Preview
Title: Voices Of Other Times
Year Of Release: 1999
Label: Sanctuary Records
Genre: Psychedelic Rock, Jazz Rock, Jazz Funk, Art Rock, Prog Rock
Quality: Mp3 320 / Flac (image, .cue, log)
Total Time: 01:03:47
Total Size: 185/423 Mb (scans)
WebSite: Album Preview
Tracklist:
01. It Burns Me Up
02. Isola Natale
03. Voices Of Other Times
04. Splatch
05. Indian Rope Man
06. Soul Glow
07. Victorґs Delight
08. Circles
09. Never Gonna Come Down
10. Jam Side Down
Line-up:
Bass – Dan Lutz
Congas – Long John Oliva
Drums – Karma D. Auger
Electric Piano [Rhodes] – Brian Auger
Guitar – Chris Clermont
Organ [Hammond B3] – Brian Auger
Percussion – Karma D. Auger
Piano [Korg S.g. Pro X Stage] – Brian Auger
Vocals – Savannah Auger
Released a week before his 61st birthday, Brian Auger's return to recording under the aegis of the Oblivion Express marks both a look back at his heyday and a continuance of his style of music. That style is a species of soul-jazz familiar from the 1960s and leading into the funky jazz-rock fusion of the early '70s. Indeed, four of the album's ten selections are remakes of songs drawn from Auger's back catalog: "Isola Natale" from his debut album Open (1967); "Indian Rope Man" from Streetnoise (1968); "Voices of Other Times" from Closer to It! (1973); and "Never Gonna Come Down" from Happiness Heartaches (1977). Whether originals or covers, the new recordings testify to Auger's jazz influences, often overtly -- the Latin-styled piano/organ excursion "Victor's Delight" is dedicated to Victor Feldman, while Marcus Miller's "Splatch" is borrowed from Miles Davis' Tutu album. The all-new edition of the Oblivon Express heard on the album is a family affair, with Auger's son Karma playing drums and producing and daughter Savannah singing on eight tracks, augmented by guitarist Chris Clermont and bass player Dan Lutz. Nearly 40 years into Auger's career, they make for what is virtually a repertory band devoted to a musical style that old fans will recall fondly, so that they can play this album alongside the CD reissues of the keyboard player's vintage recordings.