Paul Desmond - First Place Again (Bonus Track Version) (2019)
Artist: Paul Desmond
Title: First Place Again (Bonus Track Version)
Year Of Release: 1959/2019
Label: New Jazz Society
Genre: Jazz
Quality: 320 kbps | FLAC (tracks)
Total Time: 01:16:22
Total Size: 175 mb | 405 mb
WebSite: Album Preview
Tracklist:Title: First Place Again (Bonus Track Version)
Year Of Release: 1959/2019
Label: New Jazz Society
Genre: Jazz
Quality: 320 kbps | FLAC (tracks)
Total Time: 01:16:22
Total Size: 175 mb | 405 mb
WebSite: Album Preview
01. Paul Desmond - I Get a Kick out of You
02. Paul Desmond - For All We Know
03. Paul Desmond - Two Degrees East, Three Degrees West
04. Paul Desmond - Greensleeves
05. Paul Desmond - You Go to My Head
06. Paul Desmond - East of the Sun
07. Paul Desmond - Time After Time
08. Paul Desmond - Susie (Bonus Track)
09. Paul Desmond - Out of Nowhere (Bonus Track)
10. Paul Desmond - The One I Love Belongs to Somebody Else (Bonus Track)
11. Paul Desmond - Polka Dots and Moonbeams (Bonus Track)
12. Paul Desmond - Samba De Orfeu (Bonus Track)
13. Paul Desmond - Poor Butterfly (Bonus Track)
The title of this set by alto saxophonist Paul Desmond refers to his having placed first once again in the alto chair in the Downbeat poll. Released in 1959, First Place Again is the result of an unexpected gathering of the rhythm section of the Modern Jazz Quartet: Percy Heath and Connie Kay, and Jimmy Giuffre 3 guitarist Jim Hall. The four musicians were all unexpectedly at home in New York and took full advantage of cheap, after-hours recording studio time to play out this set of standards and a pair of newer tunes, John Lewis' great blues, "Two Degrees East, Three Degrees West," and "East of the Sun (and West Of The Moon)," from a Princeton University theater work. The rest, including a fine reading of "Greensleeves," which is short and tight here, Cole Porter's "I Get a Kick out of You," J. Fred Coots' "For All We Known," "You Got to My Head" another Coots' tune and Sammy Cahn's "Time After Time," are done with an airy, amiable vibe, especially the work between Hall and the rhythm section, which is full of counterpoint and sharp accents. Desmond, of course, being at that time the king of melodic improvisation on the alto with the possible exception of Art Pepper's ascendancy is in fine form. His whimsical, breathy, dry tone is sharp, on the spot, and full of ideas as he quotes from a vast number of tunes. This is a thoroughly enjoyable and relaxed set if ultimately unmemorable.