Godspeed You! Black Emperor - G_d's Pee AT STATE'S END! (2021) [Hi-Res]
Artist: Godspeed You! Black Emperor
Title: G_d's Pee AT STATE'S END!
Year Of Release: 2021
Label: Constellation
Genre: Rock, Post-Rock
Quality: FLAC (tracks) [96 & 44.1kHz/24bit]
Total Time: 52:38
Total Size: 855 / 263 MB
WebSite: Album Preview
Tracklist:Title: G_d's Pee AT STATE'S END!
Year Of Release: 2021
Label: Constellation
Genre: Rock, Post-Rock
Quality: FLAC (tracks) [96 & 44.1kHz/24bit]
Total Time: 52:38
Total Size: 855 / 263 MB
WebSite: Album Preview
01. Military Alphabet (five eyes all blind) [4521.0kHz 6730.0kHz 4109.09kHz] (4:35)
02. Job's Lament (8:02)
03. First of the Last Glaciers (6:00)
04. where we break how we shine (ROCKETS FOR MARY) (1:45)
05. Fire at Static Valley (5:58)
06. “GOVERNMENT CAME” (9980.0kHz 3617.1kHz 4521.0 kHz) (11:36)
07. Cliffs Gaze / cliffs’ gaze at empty waters’ rise / ASHES TO SEA or NEARER TO THEE (8:12)
08. OUR SIDE HAS TO WIN (for D.H.) (6:30)
New albums from Mogwai and Godspeed in a matter of weeks? Is it 1998 again? We're not complaining - this flickering, silvery opus from GY!BE is among their most satisfying sets to date. "G_d's Pee AT STATE'S END!" finds the band in an awkward comfort zone, inspired by 2020's pandemic and subsequent global collapse to dust off their shortwave radio and compose a fuzzed-out response to the failure of the state system. It makes a lot of sense; since they debuted with "F♯ A♯ ∞" they've never been quiet about their anti-fascist, anti-corporate, anti-state views. With this in mind, "G_d's Pee AT STATE'S END!" is almost a "told ya" moment, or a euphoric apology for decades of prophetic post-rock doom-saying.
Weaved together with crackly snippets of shortwave hum, the album almost begins like John Carpenter's "Prince of Darkness" with spine-chillingly indistinct chatter that signals isolation, desperation and media distortion. From there, the band allow their glacial compositions to hiss and crack through each distinct movement. At this stage in their career they have nurtured a rapport that sings as loud as any instrument, and twinned with their timely creative surge this has led to tracks that feel like a distillation of GY!BE's best qualities. The thrumming crescendos, Kraut-fed percussion, thick walls of layered feedback, near-classical compositional care and an unashamedly widescreen grasp of narrative. Godspeed sound heavier, tighter and more vital here than they have in ages. Who else could craft such elegiac, melancholy doom for the end of the world?
Weaved together with crackly snippets of shortwave hum, the album almost begins like John Carpenter's "Prince of Darkness" with spine-chillingly indistinct chatter that signals isolation, desperation and media distortion. From there, the band allow their glacial compositions to hiss and crack through each distinct movement. At this stage in their career they have nurtured a rapport that sings as loud as any instrument, and twinned with their timely creative surge this has led to tracks that feel like a distillation of GY!BE's best qualities. The thrumming crescendos, Kraut-fed percussion, thick walls of layered feedback, near-classical compositional care and an unashamedly widescreen grasp of narrative. Godspeed sound heavier, tighter and more vital here than they have in ages. Who else could craft such elegiac, melancholy doom for the end of the world?