Miah Persson, Malena Ernman, Olle Persson, Mattias Wager, Swedish Radio Choir, Fredrik Malmberg - Fauré & Duruflé: Requiems (2005) [Hi-Res]

Tracklist

01. Requiem, Op. 9: Introit
02. Requiem, Op. 9: Kyrie
03. Requiem, Op. 9: Domine Jesu Christe
04. Requiem, Op. 9: Sanctus
05. Requiem, Op. 9: Pie Jesu
06. Requiem, Op. 9: Agnus Dei
07. Requiem, Op. 9: Lux Aeterna
08. Requiem, Op. 9: Libera Me
09. Requiem, Op. 9: In Paradisum
10. Requiem, Op. 48 (arr. for Organ Accompaniment By M. Wager): Introit Et Kyrie
11. Requiem, Op. 48 (arr. for Organ Accompaniment By M. Wager): Offertoire
12. Requiem, Op. 48 (arr. for Organ Accompaniment By M. Wager): Sanctus
13. Requiem, Op. 48 (arr. for Organ Accompaniment By M. Wager): Pie Jesu
14. Requiem, Op. 48 (arr. for Organ Accompaniment By M. Wager): Agnus Dei
15. Requiem, Op. 48 (arr. for Organ Accompaniment By M. Wager): Libera Me
16. Requiem, Op. 48 (arr. for Organ Accompaniment By M. Wager): In Paradisum


Since the invention of long-playing recordings, Duruflé and Fauré's Requiems have been coupled together. The two most popular Requiems by French composers since Berlioz wrote his blockbuster Requiem, Duruflé and Fauré's Requiems are quiet, intimate, and devotional -- three qualities Berlioz' Requiem emphatically is not. With their restrained emotions, reserved harmonic palette, and complete faith in the resurrection of the dead, Duruflé and Fauré's Requiems form a wholly fitting pairing.
This particular coupling with Fredrick Malmberg leading the Swedish Radio Choir features not the familiar orchestral accompanied versions of the works but rather the organ accompanied original versions. This adds immeasurably to the devotional quality of the performances, making them seem more than ever Requiems intended to be performed in context of church services. The Swedish Choir is a rich, full, and immaculately groomed ensemble that Malmberg leads in performances of impeccable musicality and profound religiosity. The soloists are uniformly superb, with the standout being soprano Miah Persson's radiant "Piu Jesu" in Fauré's work. Organist Mattias Wager may be a bit too self-effacing for those who prefer their accompaniments to shock and awe, but he is always exactly where he's supposed to be doing exactly what he's supposed to be doing and who could ask for any more? While those who prefer more lively performances of the Requiems may prefer the big-boned Shaw recordings of the orchestral arrangements, those who prefer to listen on their knees in a darkened church will surely go for Malmberg's recordings, particularly in BIS' lush super audio sound.

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