Duo Avad - Französische Sehnsucht: Facetten des Impressionismus für Violoncello und Klavier (2021) [Hi-Res]

  • 01 Jun, 16:08
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Title: Französische Sehnsucht: Facetten des Impressionismus für Violoncello und Klavier
Year Of Release: 2021
Label: Genuin
Genre: Classical
Quality: FLAC (tracks) / 24bit-44.1kHz FLAC (tracks+booklet)
Total Time: 01:14:50
Total Size: 285 / 662 MB
WebSite:

Tracklist:

01. Pierné: Expansion, Op. 21 (2:09)
02. Pierné: Caprice for Cello & Piano, Op. 16 (2:53)
03. Debussy: Intermezzo, L. 27b (5:26)
04. Debussy: Nocturne & Scherzo, L. 26 (4:50)
05. Chausson: Pièce for Cello & Piano, Op. 39 (6:53)
06. Vierne: Soirs étrangers, Op. 56: I. Grenade (4:50)
07. Vierne: Soirs étrangers, Op. 56: II. Sur le Léman (5:30)
08. Vierne: Soirs étrangers, Op. 56: III. Venise (4:47)
09. Vierne: Soirs étrangers, Op. 56: IV. Steppe canadien (7:43)
10. Vierne: Soirs étrangers, Op. 56: V. Poissons chinois (2:27)
11. Fauré: Romance in A Major for Cello & Piano, Op. 69 (4:01)
12. Fauré: Papillon, Op. 77 (3:01)
13. Ravel: Sonatine in F-Sharp Minor, M. 40: II. Mouvement de menuet (Arr. L. Roques & C. Krieger for Cello & Piano) (3:23)
14. Boulanger: D'un soir triste (Version for Cello & Piano) [Reconstr. C. Krieger] (9:22)
15. Fauré: Dolly Suite, Op. 56 (Excerpts Arr. R. Yoshizumi for Cello & Piano): III. Jardin de Dolly (2:49)
16. Fauré: Dolly Suite, Op. 56 (Excerpts Arr. R. Yoshizumi for Cello & Piano): VI. Pas espagnol (2:12)
17. Saint-Saëns: Le carnaval des animaux, R. 125: XIII. Le cygne (Arr. for Cello & Piano) (2:42)

Just how much wonderful French music there is to discover from the period circa 1900 is revealed to us by Duo Avad on their new Genuin recital. Cellist Clemens Krieger and pianist Rieko Yoshizumi present original compositions and arrangements that reach far beyond the standard repertoire. The album features tiny treasures of little-known composers such as Gabriel Pierné and Louis Vierne as well as unknown works by the "greats" such as Debussy, Ravel and Fauré. Of particular note is the Soir triste by Lili Boulanger, who died much too early. Reconstructed by the ensemble, it is recorded here for the first time. This is intimate, impressionistic chamber music, elegantly and finely performed at the highest level.


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