Duke Ellington - Berlin 1959 (2021) [Hi-Res]
Artist: Duke Ellington
Title: Berlin 1959
Year Of Release: 2021
Label: Storyville Records
Genre: Jazz
Quality: FLAC (tracks) [96kHz/24bit]
Total Time: 1:27:11
Total Size: 1.39 GB / 281 MB
WebSite: Album Preview
Tracklist:Title: Berlin 1959
Year Of Release: 2021
Label: Storyville Records
Genre: Jazz
Quality: FLAC (tracks) [96kHz/24bit]
Total Time: 1:27:11
Total Size: 1.39 GB / 281 MB
WebSite: Album Preview
01. Black And Tan Fantasy
02. Creole Love Call
03. The Mooche
04. Newport Up
05. Such Sweet Thunder
06. Sonnet to Hank Cinq
07. Medley: Kinda Dukish / Rockin’ In Rhythm
08. El Gato
09. Flirtibird
10. Things Ain’t What They Used To Be
11. Skin Deep
12. VIP Boogie
13. Jam Wih Sam
14. St. Louis Blues
15. Bill Bailey
16. Walkin' And Singin' The Blues
17. Don't Get Around Much Anymore
18. Do Nothing Till You Her From Me
19. I Got It Bad
20. In A Sentimental Mood
21. Mood Indigo
22. I'm Beginning To See The Light
23. Sophisticated Lady
24. Caravan
25. Solitude
26. Satin Doll
27. Medley: I Let A Song Go Out Of My Heart / Don’t Get Around Much Anymore
28. Basin Street Blues
What we have here is the welcome memento of the Duke Ellington band's 1959 European tour (these had pretty much become annual events). Berlin's Sportpalast is not a concert hall and during the cursed Nazi reign often was the site of speeches by Hitler and his fellow criminals, but the hall can be said to have been thoroughly purified by sounds of jazz by the time of this concert.
Some observations regarding personnel: An important new voice in the trumpet section was that of Clark Terry, previously with Charlie Barnet and Count Basie, most prominently. He came into his own with Duke but left after feeling that he got little to play other than his feature, Perdido. Aside from Terry, a non-soloing but important lead voice in the trumpet section is that of Andres Merenguito, also known as Fats Ford, who had served in Louis Armstrong's last big band. Fortunately, the great reed section, one of the greatest in jazz history, is intact - and in great form.
Some observations regarding personnel: An important new voice in the trumpet section was that of Clark Terry, previously with Charlie Barnet and Count Basie, most prominently. He came into his own with Duke but left after feeling that he got little to play other than his feature, Perdido. Aside from Terry, a non-soloing but important lead voice in the trumpet section is that of Andres Merenguito, also known as Fats Ford, who had served in Louis Armstrong's last big band. Fortunately, the great reed section, one of the greatest in jazz history, is intact - and in great form.