Daniel-Ben Pienaar and Jonathan Freeman-Attwood - A Bach Notebook for Trumpet (2013) [Hi-Res]

Tracklist

01. Prelude and Fugue in G Major, BWV 541
02. An Wasserflüssen Babylon, BWV 653b
03. Sonata in F Major
04. Ach, wie sehnlich wart ich der Zeit (Aria)
05. Wer an ihn gläubet, BWV 68 (V)
06. Ich lasse dich nicht, BWV Anh. 159
07. Overture in G Major
08. Concerto in A Major, III, BWV 1055
09. Seht, was der Liebe tut, BWV 85 (V)
10. O Mensch, bewein' dein Sünde Groß, BWV 622
11. Von Gott kommt mir in Freudenschein, BWV 172 (VI)
12. O Lamm Gottes, unschuldig, BWV 656
13. So oft ich meine Tobackspfeife
14. Prelude: English Suite No. 2 in A Minor, BWV 807
15. Rondo Allegretto: Sonata, F.X/2
16. Sonata in G Minor III, Wq. 65/17
17. La Joye (From Suite No. 4 in C)
18. Polonaise No. 10 in F Minor (Falck 12)
19. Sinfonia (Overture, Amadis des Gaules), W.G39
20. Sarabande, BWV 1012 (Cello Suite No. 6, Arr. Fryer)

Jonathan Freeman-Attwood's A Bach Notebook for Trumpet is a celebration of the music of the famous Johann Sebastian and ten other lesser-known Bachs, re-imagined for the combination of trumpet and piano.

Bach specialist Daniel-Ben Pienaar has arranged music from a great uncle, close cousins, distant cousins, and five sons, all related to the great J. S. Bach in a wholly unique recital programme.

Aesthetic passions drive the repertoire and performance choices as the duo explore vocabularies not usually associated with trumpet and piano chamber music: brushing up against ‘period' gesture, ornamentation and articulation, whilst also co-referencing less fashionable inspirations from the past, including those judged ‘romantic' in coloration, whether in the use of the pedal, rubati or articulation.

Jonathan Freeman-Attwood's is an established authority on Bach interpretation, particularly as it challenges and refocuses historical perspectives on ‘performance practices' and how recordings of the past can influence current priorities and tastes.

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