Sergio Foresti & Ensemble Due Venti - Amanti - Cantatas for Bass (2021) [Hi-Res]

  • 03 Nov, 09:58
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Artist:
Title: Amanti - Cantatas for Bass
Year Of Release: 2021
Label: Challenge Classics
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 01:12:26
Total Size: 359 MB / 1.54 GB
WebSite:

Tracklist:

1. Udite, amanti SF A356: Recitative: Udite amanti (1:59)
2. Udite, amanti SF A356 : Aria (Adagio): Pena più cruda e ria (5:20)
3. Udite, amanti SF A356: Recitative: Credei che il mio sincero (1:25)
4. Udite, amanti SF A356 : Aria (Tempo giusto): Si disciolga quell’empia catena (3:54)
5. Che io viva in tante pene SF A55: Recitative: Che io viva in tante pene (1:46)
6. Che io viva in tante pene SF A55: Aria (Sostenuto adagio): Basta dir (5:38)
7. Che io viva in tante pene SF A55: Recitative: È ver che, accesa d’amoroso foco (1:25)
8. Che io viva in tante pene SF A55: Aria: Se a far pago (4:03)
9. Quanta pietà mi fate SF A278: Recitative: Quanta pietà mi fate (1:22)
10. Quanta pietà mi fate SF A278: Aria (Andante): Privo allor delle ruggiade (7:04)
11. Quanta pietà mi fate SF A278: Recitative: Ma quanto, o dio! di voi (1:18)
12. Quanta pietà mi fate SF A278: Aria (Lento): Piangete al pianto mio (10:27)
13. Lungi, speranze SF A182: Recitative: Lungi, speranze (1:18)
14. Lungi, speranze SF A182: Aria (Andante): Nel mio cor (3:03)
15. Lungi, speranze SF A182: Recitative: Giurò, giurò quell’empia (1:11)
16. Lungi, speranze SF A182: Aria (Largo): Sento già nel mezzo al mio core (9:41)
17. Poiché fato inumano SF A252: Recitative: Poiché fato inumano (1:45)
18. Poiché fato inumano SF A252: Aria (Adagio): Luci belle (4:50)
19. Poiché fato inumano SF A252: Recitative: Questa che mi divide (1:44)
20. Poiché fato inumano SF A252: Aria (Allegro): Come scoglio che l’onda disprezza (3:25)

In the Italian society of the early eighteenth century, the musical genre of the chamber cantata was popular as a refined form of entertainment. The chamber cantata is a relatively short composition, consisting of a couple of arias with the addition of one or two recitatives. They were performed in the private ambiances of the noble circles. A performance just needed the instruments of the basso continuo (harpsichord, cello, and if wanted for example a lute) and of course an excellent voice.

The Venetian composer Benedetto Marcello (1686-1737) was one of the most prolific composers of the genre, especially in his early years between 1710 and 1720. He wrote approximately 300 cantatas of which over 20 for the bass voice. This is an exceptionally high number. The composer strived to achieve a perfect harmony between poetry and music. As such, his cantatas were an invaluable laboratory for his famous Psalms. These were admired by great composers like Rossini, Bizet, Verdi, and Chopin. Verdi especially appreciated Marcello's recitatives.

The present recording offers five chamber cantatas of Marcello for the bass voice. All the cantatas of this recording are in RARA form (Recitative-Aria-Recitative-Aria) and the arias regularly have the da capo form. The recitatives are often unpredictable in their harmonic solutions. Like most of Marcello's Cantatas, they treat the subject of love. But the lovers are not happy. They struggle with the all too human complexity of love: feelings of rejection, sadness, jealousy, hope, and mourning. Their thoughts and feelings are intended to stimulate personal reflection.


Sergio Foresti & Ensemble Due Venti - Amanti - Cantatas for Bass (2021) [Hi-Res]


  • platico
  •  00:12
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gracias...
  • Cantor
  •  20:23
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Gracias!!!!