Allyn Ferguson's Chamber Jazz Sextet - Borderland (2019)
Artist: Allyn Ferguson's Chamber Jazz Sextet
Title: Borderland
Year Of Release: 2019
Label: Fresh Sound Records
Genre: Jazz
Quality: FLAC (tracks)
Total Time: 77:38 min
Total Size: 291 MB
WebSite: Album Preview
Tracklist:Title: Borderland
Year Of Release: 2019
Label: Fresh Sound Records
Genre: Jazz
Quality: FLAC (tracks)
Total Time: 77:38 min
Total Size: 291 MB
WebSite: Album Preview
1. Perplexity
2. What Is This Thing Called Love?
3. Borderland
4. Sextet for Contemporaries: 1st Movement Adagio-Moderato
5. Sextet for Contemporaries: 2nd Movement Lento
6. Sextet for Contemporaries: 3rd Movement Vivace
7. In The Still of the Night
8. Brand X
9. Surrey with the Fringe on Top
10. Canons for Funkies
11. Blue Winds
12. Fantasia on 'Little Girl Blue'
13. The Murder of Two Men by a Young Kid Wearing Lemon-Colored Gloves
14. The State of the Nation
15. Do the Dead Know What Time It Is?
16. And with the Sorrows of This Joyousness
17. The Lute in the Atic
18. Lonesome Boy Blues
19. Limericks
20. I Went to the City
With the Chamber Jazz Sextet, composer, leader and conductor Allyn Ferguson set out to do what he saw was going to be inevitable the bringing together of jazz and classical disciplines.
The Chamber Jazz Sextet hopes to catalyze this inevitable fusion of jazz and classical attitudes, he said. Toward this end, the members of the group, both individually and collectively, are making use of their every available musical knowledge in attempting to render music both meaningful and legitimate for the listener.
The results he achieved with this multi-instrumental group, in both the first half, where the focus is primarily on the sextet, and in the second, where it functions in an essentially accompanying role to poet Kenneth Patchens interpretations, are provocative, stimulating and rewarding. The group is well knit, with strong soloists and provided one of the most fascinating attempts of its kind to combine two musical worlds without compromising the inherent values and virtues of each.
The Chamber Jazz Sextet hopes to catalyze this inevitable fusion of jazz and classical attitudes, he said. Toward this end, the members of the group, both individually and collectively, are making use of their every available musical knowledge in attempting to render music both meaningful and legitimate for the listener.
The results he achieved with this multi-instrumental group, in both the first half, where the focus is primarily on the sextet, and in the second, where it functions in an essentially accompanying role to poet Kenneth Patchens interpretations, are provocative, stimulating and rewarding. The group is well knit, with strong soloists and provided one of the most fascinating attempts of its kind to combine two musical worlds without compromising the inherent values and virtues of each.