St. Florianer Sängerknaben, Ars Antiqua Austria, Gunar Letzbor - Muffat: Missa in labore requies (2014)
Artist: St. Florianer Sängerknaben, Ars Antiqua Austria, Gunar Letzbor
Title: Muffat: Missa in labore requies
Year Of Release: 2014
Label: Pan Classics
Genre: Classical
Quality: FLAC (tracks)
Total Time: 47:13
Total Size: 239 Mb
WebSite: Album Preview
Tracklist: Title: Muffat: Missa in labore requies
Year Of Release: 2014
Label: Pan Classics
Genre: Classical
Quality: FLAC (tracks)
Total Time: 47:13
Total Size: 239 Mb
WebSite: Album Preview
Missa, "In labore requies" (Georg Muffat)
1. Sonata 01:04
2. Kyrie: Kyrie 01:36
3. Kyrie: Christe 00:59
4. Kyrie: Kyrie II 01:48
5. Gloria: Gloria 01:18
6. Gloria: Laudamus te 02:01
7. Gloria: Gratias agimus 01:16
8. Gloria: Domine Deus 01:09
9. Gloria: Qui tollis 04:13
10. Gloria: Quoniam 02:03
11. Gloria: Cum Sancto Spiritu 02:21
12. Credo: Credo 01:19
13. Credo: Et in unum Dominum 03:17
14. Credo: Qui propter nos homines 02:08
15. Credo: Et incarnatus est 01:03
16. Credo: Crucifixus 02:03
17. Credo: Et resurrexit 01:49
18. Credo: Et in Spiritum Sanctum 04:58
19. Sanctus: Sanctus 02:19
20. Sanctus: Hosanna 01:48
21. Sanctus: Benedictus 01:05
22. Sanctus: Hosanna 01:49
23. Agnus Dei: Agnus Dei 02:16
24. Agnus Dei: Dona nobis 01:31
Performers:
St. Florianer Sängerknaben
Ars Antiqua Austria
Gunar Letzbor
Gunar Letzbor and his ensemble Ars Antiqua Austria are proven specialists for Austrian baroque music. During recent years, they have rediscovered, performed and recorded polychoral Festive Masses by Weichlein, Ramhaufsky and Hochreither and thus Georg Muffat's magnificent 'Missa in labore requies' is a logical choice of repertoire. This work is the only surviving church music by Georg Muffat and is overwhelming in sonic impact and profundity but also a richness of melodic invention. In its polychoral design, the work is in the tradition of Salzburg Festive Masses, reflecting in their extraordinary musical opulence, the almost boundless material wealth of the prince bishops who commissioned them. For the recording, Gurk Cathedral proved to be an ideal location, allowing the spatial effects of five choirs to be impressively reproduced. The two vocal choirs can be heard to the right and left of the imaginary middle axis, as are the string and wind choirs, whilst the trumpet choir sounds forth majestically from an elevated position in the centre. In this way, one can comprehend why this monumental work represents the pinnacle of the genre, perhaps comparable only to Biber's 'Missa Salisburgensis'.