Troy Roberts - Days Like These (2019)

  • 25 Apr, 15:37
  • change text size:

Artist:
Title: Days Like These
Year Of Release: 2019
Label: Toy Robot Music
Genre: Jazz
Quality: 320 kbps | FLAC (tracks)
Total Time: 01:14:34
Total Size: 171 mb | 460 mb
WebSite:

Tracklist:

01. My Girl Is Just Enough Woman for Me
02. Why Was I Born
03. Trams
04. The Waltz of Parting Days
05. Sly Old Dog
06. Jack the Sipper
07. Little Man You've Had a Busy Day
08. Wizard of Ozroop

For Troy Roberts, a New York Australian, it has become a good tradition to give listeners a new album every year. 2019 was no exception. Unlike previous works, Tales & Tones (2017) and Nu Jive Perspective (2018), published by Inner Circle Music, his new album, Like Like, was released under the logo of Toy Robot Music, the musician's label, whose title is very transparent in its initials. The difference is more significant: this time Troy preferred the trio format, moreover the organ trio. In three tracks, he is played by the outstanding master of the electric organ, Joey DeFranchesko, in whose ensemble Troy has been playing for four years, and in the rest - the young, talented, but so far less famous Emmett Cohen, whom Roberts met in Miami when Emmett was a university student, where Troy taught. Behind the drum kit on all the tracks is another Roberts “employer,” the highly experienced Jeff Thane Watts, with whom Roberts has been playing for five years.

Five original compositions, three tastefully rethought covers and an hour and a quarter of sound are enough to appreciate the skill of the tenor saxophonist and composer Troy Roberts, unless, of course, you listen to it for the first time. For those who already know this musician, Days Like These is a new portion of bright and talented music, great aesthetic pleasure from playing Roberts and his famous partners. Especially nice to hear Roberts along with DeFranchesko will be the Minskers, who just recently could see them performing at the "Jazz Days at the Town Hall" as part of the DeFranchesko trio. In Why Was I Born, Jerome Kern, Joey appears in all the splendor of his skill and temperament, even slightly putting Roberts in the background. The second organist, Emmett Cohen, is not so violently “pulling the blanket over herself”, and here Roberts is already unfolding at full power, both in tempo and in ballad plays. Perhaps, in terms of performance technique and sounding, he has few equal today even on the American stage supersaturated with talents. My personal favorite of the album was his composition Jack The Sipper, reminiscent of a more funky repertoire of the same Roberts in his projects under the general name Nu Jive. The Days Like These program is more mainstream, so it is for lovers of this direction that I recommend paying attention to the new work of Troy Roberts.