Amsterdam Sinfonietta, Candida Thompson & Thomas Hampson - Wolf, Schubert, Brahms: Tides of Life (2017) [Hi-Res]
Artist: Thomas Hampson, Amsterdam Sinfonietta, Candida Thompson, Netherlands Female Youth Choir
Title: Wolf, Schubert, Brahms: Tides of Life
Year Of Release: 2017
Label: Channel Classics Records
Genre: Classical
Quality: FLAC (tracks, booklet) [96kHz/24bit]
Total Time: 55:12
Total Size: 971 / 213 MB
WebSite: Album Preview
Tracklist:Title: Wolf, Schubert, Brahms: Tides of Life
Year Of Release: 2017
Label: Channel Classics Records
Genre: Classical
Quality: FLAC (tracks, booklet) [96kHz/24bit]
Total Time: 55:12
Total Size: 971 / 213 MB
WebSite: Album Preview
01. Mörike-Lieder, Heft II: No. 15, Auf einer Wanderung (Arr. David Matthews)
02. Mörike-Lieder: No. 10, Fussreise in F Major (Arr. David Matthews)
03. An die Leier in C Minor, D.737 (Arr. David Matthews)
04. Memnon, D.541 (Arr. David Matthews)
05. Goethe-Lieder: No. 29, Anakreons Grab (Arr. David Matthews)
06. Goethe-Lieder: No. 11, Der Rattenfänger (Arr. David Matthews)
07. Geheimes, D.719 (Arr. David Matthews)
08. Schwanengesang, D.957: No. 4, Ständchen (Arr. David Matthews)
09. Italian Serenade (Arr. David Matthews)
10. Vier ernste Gesänge, Op. 121: No. 1, Denn es gehet dem Menschen (Arr. David Matthews)
11. Vier ernste Gesänge, Op. 121: No. 2, Ich wandte mich und sahe (Arr. David Matthews)
12. Vier ernste Gesänge, Op. 121: No. 3, O Tod, wie bitter bist du! (Arr. David Matthews)
13. Vier ernste Gesänge, Op. 121: No. 4, Wenn ich mit Menschen und mit Engelszungen redete (Arr. David Matthews)
14. Dover Beach, Op. 3 (Arr. David Matthews)
In February 2014 Amsterdam and Thomas Hampson made a tour of twelve European concert halls performing a unique programme. The heart of the programme consisted of new arrangements of songs by Johannes Brahms, Franz Schubert and Hugo Wolf. Amsterdam Sinfonietta commissioned the English composer David Matthews to arrange this song repertoire for string ensemble and baritone. These intimate compositions were performed in this new version for the first time in large-scale concert halls.
The practice of orchestrating older, pre-existing songs became the vogue in the nineteenth century, coinciding with the blossoming of a whole new genre; the orchestral song. Composers such as Mahler, Wolf, Berlioz, Liszt and Strauss wrote songs for piano and voice, which they later ‘emancipated’ by arranging them for voice and orchestra. A number of composers, including Brahms, Berlioz and later Weber and Reger, paid homage to their predecessors such as Schubert and Schumann by orchestrating their songs. On this recording only the version of Samuel Barber’s song Dover Beach remains close to the original. Composed for string quartet and baritone, the song is heard here in a version for baritone and string orchestra. This CD celebrates the years long collaboration between the Amsterdam Sinfonietta and Thomas Hampson in bringing the great song repertoire to new audiences in a new manner.
The practice of orchestrating older, pre-existing songs became the vogue in the nineteenth century, coinciding with the blossoming of a whole new genre; the orchestral song. Composers such as Mahler, Wolf, Berlioz, Liszt and Strauss wrote songs for piano and voice, which they later ‘emancipated’ by arranging them for voice and orchestra. A number of composers, including Brahms, Berlioz and later Weber and Reger, paid homage to their predecessors such as Schubert and Schumann by orchestrating their songs. On this recording only the version of Samuel Barber’s song Dover Beach remains close to the original. Composed for string quartet and baritone, the song is heard here in a version for baritone and string orchestra. This CD celebrates the years long collaboration between the Amsterdam Sinfonietta and Thomas Hampson in bringing the great song repertoire to new audiences in a new manner.