Toby Sermeus - Bach: Bach's Piano Silbermann 1749 (2022)

Tracklist

01. Partita (1730 Clavierübung) in G Major, BWV 829 / Op. 1, No. 5: I. Praeambulum
02. Partita (1730 Clavierübung) in G Major, BWV 829 / Op. 1, No. 5: II. allemande
03. Partita (1730 Clavierübung) in G Major, BWV 829 / Op. 1, No. 5: III. Corrente
04. Partita (1730 Clavierübung) in G Major, BWV 829 / Op. 1, No. 5: IV. Sarabande
05. Partita (1730 Clavierübung) in G Major, BWV 829 / Op. 1, No. 5: V. Tempo di Minuetto
06. Partita (1730 Clavierübung) in G Major, BWV 829 / Op. 1, No. 5: VI. Passepied
07. Partita (1730 Clavierübung) in G Major, BWV 829 / Op. 1, No. 5: VII. Gigue
08. Duet (1739) für ein Clavier in F Major, BWV 802
09. Die Kunst der Fuge, Contrapunctus VIII, BWV 1080/8 (pub. 1752)
10. Concerto nach Italienischem Gusto (1735), BWV 971: I. Allegro
11. Concerto nach Italienischem Gusto (1735), BWV 971: II. Andante
12. Concerto nach Italienischem Gusto (1735), BWV 971: III. Presto
13. Partita (1726 Clavierübung) in B-Flat Major, BWV 825 / Op. 1, No. 1: I. Prelude
14. Partita (1726 Clavierübung) in B-Flat Major, BWV 825 / Op. 1, No. 1: II. Allemande
15. Partita (1726 Clavierübung) in B-Flat Major, BWV 825 / Op. 1, No. 1: III. Corrente
16. Partita (1726 Clavierübung) in B-Flat Major, BWV 825 / Op. 1, No. 1: IV. Sarabande
17. Partita (1726 Clavierübung) in B-Flat Major, BWV 825 / Op. 1, No. 1: V. Menuet 1 & 2
18. Partita (1726 Clavierübung) in B-Flat Major, BWV 825 / Op. 1, No. 1: VI. Giga

Bach’s keyboard music has been performed on the piano for nearly three centuries. The first source that attests to this tradition describes an occasion with the composer himself at the fortepiano in 1747. The “modern piano” used at that time had been built by Gottfried Silbermann and was owned by Frederick the Great, King of Prussia. “The king gave up his concert for that evening, and invited ‘Old Bach’, as he was already known, to try the Silbermann pianofortes which stood in various parts of the Palace. The members of the court orchestra followed them from room to room; Bach had to try out the instrument and improvise on it everywhere.”
Toby Sermeus

At the age of 20 classical pianist Toby Sermeus decided to completely revise his playing. Five years exclusively devoted to the study of baroque music, harpsichord and basso continuo practice were followed by a comprehensive exploration of classical and romantic repertoire utilising all manner of historical pianos, originals as well as replicas. Through pursuing this path of chronological learning, musical innovations and technical novelties were always perceived as something fresh, a logical next step or a surprise. This radical approach of playing his way forward through music history resulted in a musicianship and pianism profoundly rooted in western performance practice. Presently, Toby Sermeus lives in Brussels, Belgium. He performs, researches and ex- plores repertoire on harpsichord, historical and modern piano as a soloist and as a chamber musician.

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