Ensemble Polyharmonique - Briegel: Zwölff madrigalische Trost-Gesänge & Fugen durch die 8 Kirchentöne (2022)
Artist: Ensemble Polyharmonique
Title: Briegel: Zwölff madrigalische Trost-Gesänge & Fugen durch die 8 Kirchentöne
Year Of Release: 2022
Label: cpo
Genre: Classical
Quality: FLAC (tracks)
Total Time: 62:05
Total Size: 295 MB
WebSite: Album Preview
Tracklist:Title: Briegel: Zwölff madrigalische Trost-Gesänge & Fugen durch die 8 Kirchentöne
Year Of Release: 2022
Label: cpo
Genre: Classical
Quality: FLAC (tracks)
Total Time: 62:05
Total Size: 295 MB
WebSite: Album Preview
1. 12 Madrigalische Trostgesänge: No. 1, Wer Gott vertraut (5:00)
2. 12 Madrigalische Trostgesänge: No. 2, Ach, Herr, lehre doch mich (4:56)
3. 12 Madrigalische Trostgesänge: No. 3, Valet will ich dir geben (3:37)
4. 12 Madrigalische Trostgesänge: No. 4, Ach, wie gar nichts (2:46)
5. Fugen durch die 8 Kirchentöne: No. 1, Fuga primi toni (1:29)
6. Fugen durch die 8 Kirchentöne: No. 2, Fuga secundi toni (1:42)
7. 12 Madrigalische Trostgesänge: No. 5, Du aber, Daniel (3:13)
8. Fugen durch die 8 Kirchentöne: No. 3, Fuga tertii toni (1:33)
9. Fugen durch die 8 Kirchentöne: No. 4, Fuga quarti toni (1:33)
10. 12 Madrigalische Trostgesänge: No. 6, Ich habe dich ein klein Augenblick verlassen (4:21)
11. Fugen durch die 8 Kirchentöne: No. 5, Fuga quinti toni (1:38)
12. 12 Madrigalische Trostgesänge: No. 7, Si bona suscepimus (3:38)
13. Fugen durch die 8 Kirchentöne: No. 6, Fuga sexti toni (1:20)
14. 12 Madrigalische Trostgesänge: No. 8, Der Gerechte, ob er gleich zu zeitlich (4:02)
15. Fugen durch die 8 Kirchentöne: No. 7, Fuga septimi toni (1:18)
16. Fugen durch die 8 Kirchentöne: No. 8, Fuga octavi toni (1:22)
17. 12 Madrigalische Trostgesänge: No. 9, Wir sind getrost allezeit (4:27)
18. 12 Madrigalische Trostgesänge: No. 10, Ach, lieben Christen, seyd getrost (4:43)
19. 12 Madrigalische Trostgesänge: No. 11, Es ist ein elend jämmerlich Ding (5:51)
20. 12 Madrigalische Trostgesänge: No. 12, Wahrlich ich sage euch (3:41)
“End, good; everything, good”
Wolfgang Carl Briegel placed these very consoling words at the center of the dedication that he formulated in 1671 for his Zwölff madrigalische Trost-Gesänge for five or six voices together with basso continuo. After Briegel had served without interruption over two decades at Gotha’s ducal court, he resigned from his post as court music director and solemnly bade farewell to his employer, the local lord Ernst I, Duke of Saxe-Gotha, with the publication of these twelve songs of lament.
Born in Königsberg, Upper Franconia, Briegel received his initial instruction in music from Johann Andreas Herbst. Through this teacher and through Johann Erasmus Kindermann, he made indirect contact with the latest Italian styles of composition and performance. His Trost-Gesänge in very large part involve the setting of Biblical verses in the form of so-called "Spruch-Motetten", in which each phrase of the sacred text is given its own musical delineation. On the whole, the collection exhibits numerous original settings of Biblical and poetic material.
Some organ fugues by Briegel have been included in the work series - one in each of the eight church modes. They are very short works, but the themes are richly varied and lend expression to the special characteristics and qualities of the various modes.
The interpretation by the Polyharmonique Ensemble makes this rediscovery an absolute listening delight!
Wolfgang Carl Briegel placed these very consoling words at the center of the dedication that he formulated in 1671 for his Zwölff madrigalische Trost-Gesänge for five or six voices together with basso continuo. After Briegel had served without interruption over two decades at Gotha’s ducal court, he resigned from his post as court music director and solemnly bade farewell to his employer, the local lord Ernst I, Duke of Saxe-Gotha, with the publication of these twelve songs of lament.
Born in Königsberg, Upper Franconia, Briegel received his initial instruction in music from Johann Andreas Herbst. Through this teacher and through Johann Erasmus Kindermann, he made indirect contact with the latest Italian styles of composition and performance. His Trost-Gesänge in very large part involve the setting of Biblical verses in the form of so-called "Spruch-Motetten", in which each phrase of the sacred text is given its own musical delineation. On the whole, the collection exhibits numerous original settings of Biblical and poetic material.
Some organ fugues by Briegel have been included in the work series - one in each of the eight church modes. They are very short works, but the themes are richly varied and lend expression to the special characteristics and qualities of the various modes.
The interpretation by the Polyharmonique Ensemble makes this rediscovery an absolute listening delight!
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