Roger Morelló Ros & Alica Koyama Müller - Schumann Goes Tango (2022)

Tracklist

01. Five Pieces in Folk Style, Op. 102 (1849): I. "Vanitas Vanitatum"-Mit Humor
02. Five Pieces in Folk Style, Op. 102 (1849): II. Langsam
03. Five Pieces in Folk Style, Op. 102 (1849): III. Nicht Schnell, Mit Viel Ton Zu Spielen
04. Five Pieces in Folk Style, Op. 102 (1849): IV. Nicht Zu Rasch
05. Five Pieces in Folk Style, Op. 102 (1849): V. Stark Und Markiert
06. Milontan
07. Adagio Und Allegro, Op. 70 (1849)
08. Graciela y Buenos Aires (1992)
09. Spanische Liebeslieder, Op. 138 (1849) (Arr. For Cello and Piano): I. Vorspiel. Im Bolerostempo
10. Spanische Liebeslieder, Op. 138 (1849) (Arr. For Cello and Piano): II. Lied. De Dentro Tengo Mi Mal (Tief Im Herzen Trag' Ich Pein)
11. Spanische Liebeslieder, Op. 138 (1849) (Arr. For Cello and Piano): V. Romanze. Ebro Caudolose (Flutenreicher Ebro)
12. Spanische Liebeslieder, Op. 138 (1849) (Arr. For Cello and Piano): VII. Lied. Sannosa Esta La Ninna (Weh, Wie Zornig Ist Das Mädchen)
13. Spanische Liebeslieder, Op. 138 (1849) (Arr. For Cello and Piano): VIII. Lied. La Sierra Es Alta (Hoch, Hoch Sind Die Berge)
14. Otoño Porteño (1970) [Arr. For Violin, Cello and Piano]



Roger Morelló Ros and Alica Koyama Müller present with their debut recording an album that combines musics that seem "incompatible" at first sight: Robert Schumann and the highest art form of tango in works by Bragato and Piazzolla. However, through the artists' arrangement of Schumann's "Spanish Love Songs", this forced musical marriage becomes a love story: the similarities prevail, and so this album is not only a musically successful debut, but also a plea to always seek the new in curatorial terms.

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