Josu De Solaun - Haydn: Piano Sonatas (2022) [Hi-Res]

Artist: Josu De Solaun
Title: Haydn: Piano Sonatas
Year Of Release: 2022
Label: IBS Classical
Genre: Classical Piano
Quality: flac lossless (tracks) / flac 24bits - 192.0kHz +Booklet
Total Time: 01:57:03
Total Size: 446 mb / 1.62 gb
WebSite: Album Preview
TracklistTitle: Haydn: Piano Sonatas
Year Of Release: 2022
Label: IBS Classical
Genre: Classical Piano
Quality: flac lossless (tracks) / flac 24bits - 192.0kHz +Booklet
Total Time: 01:57:03
Total Size: 446 mb / 1.62 gb
WebSite: Album Preview
CD1
01. Piano Sonata No. 16 in D Major, Hob. XVI:14: I. Allegro moderato
02. Piano Sonata No. 16 in D Major, Hob. XVI:14: II. Minuet
03. Piano Sonata No. 16 in D Major, Hob. XVI:14: III. Finale. Presto
04. Piano Sonata No. 46 in E Major, Hob. XVI:31: I. Moderato
05. Piano Sonata No. 46 in E Major, Hob. XVI:31: II. Allegretto
06. Piano Sonata No. 46 in E Major, Hob. XVI:31: III. Finale. Presto
07. Piano Sonata No. 38 in F Major, Hob. XVI:23: I. Allegro moderato
08. Piano Sonata No. 38 in F Major, Hob. XVI:23: II. Adagio
09. Piano Sonata No. 38 in F Major, Hob. XVI:23: III. Finale. Presto
10. Piano Sonata No. 60 in C Major, Hob. XVI:50: I. Allegro
11. Piano Sonata No. 60 in C Major, Hob. XVI:50: II. Adagio
12. Piano Sonata No. 60 in C Major, Hob. XVI:50: III. Allegro molto
CD2
01. Piano Sonata No. 31 in A-Flat Major, Hob. XVI:46: I. Allegro moderato
02. Piano Sonata No. 31 in A-Flat Major, Hob. XVI:46: II. Adagio
03. Piano Sonata No. 31 in A-Flat Major, Hob. XVI:46: III. Finale. Presto
04. Piano Sonata No. 33 in C Minor, Hob. XVI:20: I. Moderato
05. Piano Sonata No. 33 in C Minor, Hob. XVI:20: II. Andante con moto
06. Piano Sonata No. 33 in C Minor, Hob. XVI:20: III. Finale. Allegro
![Josu De Solaun - Haydn: Piano Sonatas (2022) [Hi-Res]](https://www.dibpic.com/uploads/posts/2022-06/1655887668_josu-de-solaun-haydn-piano-sonatas-2022-back.jpg)
In the player’s own words, this is not a dialectical CD. That is, it is not conceived against someone. Instead, it is devotional, votive, a hymn of sorts, or better, a sonorous love letter to the great Haydn, to what he represents for me in music and in life, and to what it means to intertwine myself with him, to blend with him and with his scores. This album does not pretend to be the “last word” in Haydn scholarship or performance, or something that breaks “new interpretative ground”, or something pretending to discover the musical Mediterranean, or to present a “Haydn” purified of ideological “crusts”, “accretions”, “stylistic prejudices”, or of the much-feared “ghost” of “subjectivity”. The controversy is served…