Ensemble Modern - Heiner Goebbels: A House of Call - My Imaginary Notebook (2022) [Hi-Res]

Artist: Ensemble Modern
Title: Heiner Goebbels: A House of Call - My Imaginary Notebook
Year Of Release: 2022
Label: ECM New Series
Genre: Classical
Quality: FLAC (tracks) / 24bit-48kHz FLAC (tracks+booklet)
Total Time: 01:39:41
Total Size: 418 / 964 MB
WebSite: Album Preview
Tracklist:Title: Heiner Goebbels: A House of Call - My Imaginary Notebook
Year Of Release: 2022
Label: ECM New Series
Genre: Classical
Quality: FLAC (tracks) / 24bit-48kHz FLAC (tracks+booklet)
Total Time: 01:39:41
Total Size: 418 / 964 MB
WebSite: Album Preview
1. Stein Schere Papier : Goebbels: Stein Schere Papier - I. Introitus (A Response to Répons) (8:59)
2. Stein Schere Papier : Goebbels: Stein Schere Papier - II. Immer den gleichen Stein (6:52)
3. Stein Schere Papier : Goebbels: Stein Schere Papier - III. Under Construction (8:34)
4. Grain de la Voix : Goebbels: Grain de la Voix - I. Nu Stiri (6:50)
5. Grain de la Voix : Goebbels: Grain de la Voix - II. Agash Ayak (8:34)
6. Grain de la Voix : Goebbels: Grain de la Voix - III. 1346 (6:11)
7. Grain de la Voix : Goebbels: Grain de la Voix - IV. Krunk (6:31)
8. Wax and Violence : Goebbels: Wax and Violence - I. Toccata (Vowels/Woven) (6:20)
9. Wax and Violence : Goebbels: Wax and Violence - II. Achtung Aufnahme (3:29)
10. Wax and Violence : Goebbels: Wax and Violence - III. Nun danket alle Gott (3:09)
11. Wax and Violence : Goebbels: Wax and Violence - IV. Ti gu go Inîga mî (Some of them say) (7:14)
12. When Words Gone : Goebbels: When Words Gone - I. BakakI – (Diálogo) (5:01)
13. When Words Gone : Goebbels: When Words Gone - II. Schläft ein Lied in allen Dingen (4:27)
14. When Words Gone : Goebbels: When Words Gone - III. Kalimérisma (10:02)
15. When Words Gone : Goebbels: When Words Gone - IV. What When Words Gone (7:40)
A House of Call is a cycle of invocations, prayers, poems and songs for large orchestra. It incorporates recordings of sounds and voices from all over the world collected by Heiner Goebbels during his travels, research, and chance encounters. The cycle is a response to the history of these recordings and to their complexity, rawness and radiance. In this secular “responsorium”, the orchestra accompanies and supports the voices, answers and challenges them.