Katharina Weber - In Marta's Garden (2022)
Artist: Katharina Weber
Title: In Marta's Garden
Year Of Release: 2022
Label: Intakt Records
Genre: Jazz
Quality: Mp3 320 kbps / FLAC (tracks)
Total Time: 54:27
Total Size: 130 / 181 MB
WebSite: Album Preview
Tracklist:Title: In Marta's Garden
Year Of Release: 2022
Label: Intakt Records
Genre: Jazz
Quality: Mp3 320 kbps / FLAC (tracks)
Total Time: 54:27
Total Size: 130 / 181 MB
WebSite: Album Preview
1. Hommage a Kurtag Marta (0:55)
2. Extemporale I (1:53)
3. One More Animal for Marta's Garden (1:38)
4. Extemporale II (3:04)
5. Fuer Marta Kurtag (2:25)
6. Extemporale III (2:33)
7. Fuer Gyoergy Kurtag (2:10)
8. Extemporale IV (4:49)
9. Quasi Campane (3:11)
10. Extemporale V (1:49)
11. Jimbo's little Revenge (1:33)
12. Extemporale VI (3:27)
13. Im Gedenken an Marta Kurtag (3:49)
14. Extemporale VII (3:45)
15. Ein Winken von Ferne (2:20)
16. Extemporale VIII (3:44)
17. Windhauch in den Blaettern (3:18)
18. Extemporale IX (2:54)
19. Eine Wanderung mit Robert Walser (5:16)
Fred Frith describes the Swiss pianist Katharina Weber as a “piano icon”. The classically trained pianist and composer moves in the large world of today‘s music, where borders no longer exist and new music and jazz improvisation merge. 12 years after her celebrated solo CD Woven Time. In Márta‘s Garden is her second solo album. The musical framework is formed by two piano pieces by György Kurtág dedicated to Márta Kurtág and at the centre is his composition “... eine Wanderung mit Robert Walser ...”. The exchange with the Kurtágs, which has now lasted three decades, has left intensive traces in Katharina Weber‘s work - as a performer, as an improviser and as a composer. “Tall grass, gently moved by the summer wind. An image that is always changing, moving in detail, only seemingly monochromatic. Like György Kurtág, Katharina Weber creates her own sound cosmos. Full of shimmering, delicate flowers, buzzing bees. Inspired by intimate listening in meditative contemplation, not shying away from tonality, but emphasising colour, tonal tensions and overtones – at the same time an invitation and space for deeper listening, pondering, spinning forth,” writes Nina Polaschegg in the liner notes.