Netherlands Chamber Choir & Peter Dijkstra - Van Gogh in Me (2022) [Hi-Res]

  • 05 Oct, 17:59
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Artist:
Title: Van Gogh in Me
Year Of Release: 2022
Label: Alpha Classics
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 67:53
Total Size: 221 MB / 1.00 GB
WebSite:

Tracklist:

1. Saint-Saëns: 2 Choruses, Op. 68: No. 1, Calme des nuits (3:58)
2. Saint-Saëns: 2 Choruses, Op. 68: No. 2, Les fleurs et les arbres (1:57)
3. Debussy: Les angélus (Arr. for Choir by Clytus Gottwald) (3:00)
4. Debussy: 3 chansons de Charles d'Orléans, L. 92: No. 1, Dieu ! qu'il la fait bon regarder ! (2:10)
5. Debussy: 3 chansons de Charles d'Orléans, L. 92: No. 2, Quand j'ay ouy le tabourin (1:55)
6. Debussy: 3 chansons de Charles d'Orléans, L. 92: No. 3, Yver, vous n'estes qu'un vilain (1:59)
7. Debussy: Préludes, Livre 1, L.117: No. 6, … Des pas sur la neige (Arr. for Choir by Clytus Gottwald) (3:44)
8. Satie: 3 gymnopédies: I. Lent et douloureux (Arr. for Choir by William Knight) (3:49)
9. Strauss: 3 Männerchöre, TrV 270: No. 2, Traumlicht (5:04)
10. Mahler: Symphony No. 2 in C Minor "Resurrection": IV. Urlicht (Arr. for Choir by Clytus Gottwald) (6:13)
11. Mahler: 5 Lieder: No. 3, Laue Sommernacht (Arr for Choir by Clytus Gottwald) (2:29)
12. Mahler: Im Abendrot (From Adagietto of Gustav Mahler's Symphony No. 5) (10:02)
13. Mahler: 5 Lieder: No. 1, Die stille Stadt (Arr. for Choir by Clytus Gottwald) (3:10)
14. Mahler: Rückert Lieder: No. 3, Ich bin der Welt abhanden gekommen (Arr. for Choir by Clytus Gottwald) (6:39)
15. Schönberg: Dreimal tausend Jahre, Op. 50a (3:04)
16. Schönberg: Friede auf Erden, Op. 13 (1907 Version for Choir) (8:45)

With "Van Gogh in Me", the Netherlands Chamber Choir presents an experience in which the paintings of Vincent Van Gogh and Gustav Klimt come to life to the music of the great Romantic and early 20th century composers such as Debussy, Saint-Saëns, Mahler... and, in a world premiere, a transcription for a cappella choir of Satie's first Gymnopédie. Originally written for solo piano, this work, which is known and played throughout the world, finds a new magical and celestial dimension in this new version for choir.

Mentioning the name of Van Gogh immediately evokes in each of us a colour, a landscape, a sensation... Hence the idea of creating an immersive audiovisual experience: the choir approached an Italian collective, fuse*, to link images and sounds to the emotions of the musicians and the audience... fuse* developed an algorithm based on the works of Van Gogh and Klimt by recording their styles, colours, brushstrokes... then, during the concert, collects the sound of the choir but also biometric data that analyses the emotional state of the audience, the singers and the conductor, and creates visuals in real time, an astonishing show of colours and shapes that mixes sound, images and emotions... The visual of the album is inspired by these experiments.


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