Dakota Staton - All In My Mind: A Singles Collection 1954-1962 (2022)
Artist: Dakota Staton
Title: All In My Mind: A Singles Collection 1954-1962
Year Of Release: 2022
Label: Jasmine Records
Genre: Vocal Jazz, Pop
Quality: Flac (tracks)
Total Time: 1:18:50
Total Size: 334 MB
WebSite: Album Preview
Tracklist:Title: All In My Mind: A Singles Collection 1954-1962
Year Of Release: 2022
Label: Jasmine Records
Genre: Vocal Jazz, Pop
Quality: Flac (tracks)
Total Time: 1:18:50
Total Size: 334 MB
WebSite: Album Preview
1. My Heart's Delight (Feat. Howard Biggs & His Orchestra) (2:15)
2. For The Rest Of My Life (2:37)
3. Don't Leave Me Now (2:12)
4. A Little You (2:13)
5. Abracadabra (2:42)
6. It Feels So Nice (2:42)
7. A Dangerous Age (2:36)
8. Weak For The Man (2:45)
9. Don't Mean Maybe (2:53)
10. I Told You So (2:48)
11. You Know I Do (2:43)
12. The Late, Late Show (2:36)
13. Invitation (3:09)
14. The Party's Over (2:25)
15. Confessin' The Blues (2:46)
16. A Foggy Day (2:19)
17. Avalon (2:03)
18. Close Your Eyes (3:33)
19. Congratulations To Someone (3:17)
20. My Babe (2:12)
21. Romance In The Dark (2:26)
22. I Won't Worry (2:29)
23. All In My Mind (2:26)
24. Hey Lawdy Mama (2:24)
25. Round Midnight (3:01)
26. Knock Me A Kiss (2:14)
27. Mean And Evil Blues (2:49)
28. Porgy (Feat. The Norman Simmons Quartet) (3:04)
29. You Better Go Now (2:29)
30. Once There Lived A Fool (2:25)
The hugely versatile DAKOTA STATON was equally comfortable handling R&B, Jazz, Blues and/or Soul, as her recorded legacy affirms.
Once described by the New York Times as 'a stylistic link between the earthiness of Dinah Washington and Big Maybelle, and Chaka Khan's note-bending pop-funk iconoclasm', her earliest releases were aimed squarely at the R&B market.
Indeed, they made sufficient a stir that deejay Alan Freed featured Dakota's discs on his daily R&R radio shows, and even featured her on the bills of a couple of his earliest R&R concerts.
But once her record company, Capitol, got her cutting LPs, Staton moved easily into the Jazz field where she carved out a mighty reputation and proceeded to sell hundreds of thousands of albums.
However, her LPs are freely available on CD elsewhere; this unique compilation concentrates on her singles releases between 1954-62, and includes a number of sides which never made it onto LP.
Once described by the New York Times as 'a stylistic link between the earthiness of Dinah Washington and Big Maybelle, and Chaka Khan's note-bending pop-funk iconoclasm', her earliest releases were aimed squarely at the R&B market.
Indeed, they made sufficient a stir that deejay Alan Freed featured Dakota's discs on his daily R&R radio shows, and even featured her on the bills of a couple of his earliest R&R concerts.
But once her record company, Capitol, got her cutting LPs, Staton moved easily into the Jazz field where she carved out a mighty reputation and proceeded to sell hundreds of thousands of albums.
However, her LPs are freely available on CD elsewhere; this unique compilation concentrates on her singles releases between 1954-62, and includes a number of sides which never made it onto LP.