Tito Ceccherini, Orchestra della Svizzera Italiana, Guido Salvetti, Selena Colombera - Early 20th-Century Songs from Rome (2022) [Hi-Res]

Tracklist

01. Fides
02. Canzone popolare
03. La buona parola
04. Che dice la pioggerellina di marzo?
05. 3 Canti d'amore: No. 1, Delusione
06. 3 Canti d'amore: No. 2, La partenza
07. 3 Canti d'amore: No. 3, Il colloquio
08. 4 Liriche: No. 1, Oh lagrima
09. 4 Liriche: No. 2, Inverno
10. 4 Liriche: No. 3, Primavera
11. 4 Liriche: No. 4, Ultimo fiore
12. Message
13. 3 Liriche: No. 1, Domani vado via
14. 3 Liriche: No. 2, Tu sei lontana
15. 3 Liriche: No. 3, Ultima rosa
16. Chamber Symphony for 17 Instruments: I. Allegro
17. Chamber Symphony for 17 Instruments: II. Adagio
18. Chamber Symphony for 17 Instruments: III. Allegretto vivace
19. Chamber Symphony for 17 Instruments: IV. Allegro



Rome became an important musical centre during that precious moment of peace between the two world wars, and both of these composers were swept along in feverish activity in the arts during this period. Iditta Parpagliolo matches a refined choice of texts with an equally diverse use of musical language in her songs, from the modal mysticism of La buona parola to the infinite sadness of the Tre canti d’amore. Giovanni Salviucci captures the soul of nature in his Quattro liriche, the twilight classical intimacy of his songs contrasting with the radiant neoclassical style of his Chamber Symphony.

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