Antonio Meneses, Gérard Wyss - Schumann & Schubert (2006)

  • 27 Dec, 08:14
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Artist:
Title: Schumann & Schubert
Year Of Release: 2006
Label: Avie
Genre: Classical
Quality: FLAC (tracks)
Total Time: 01:18:50
Total Size: 391 Mb
WebSite:

Tracklist:

Adagio & Allegro en la bémol majeur pour violoncelle & piano, op. 70 (Robert Schumann)
1 Adagio & Allegro, Op. 70 for Cello and Piano: Langsam, mit innigem Ausdruck 04:32
2 Adagio & Allegro, Op. 70 for Cello and Piano: Rasch und feurig 05:23
3 Fantasiestücke pour violoncelle & piano, op. 73 (Robert Schumann)
3 Fantasiestücke, Op. 73 for Cello and Piano 03:20
4 Fantasiestücke, Op. 73 for Cello and Piano 03:31
5 Fantasiestücke, Op. 73 for Cello and Piano 04:32
5 Pièces en style populaire pour violoncelle & piano, op. 102 (Robert Schumann)
6 Fünf Stücke im Volkston, Op. 102 for Cello and Piano 02:56
7 Fünf Stücke im Volkston, Op. 102 for Cello and Piano 03:41
8 Fünf Stücke im Volkston, Op. 102 for Cello and Piano 04:19
9 Fünf Stücke im Volkston, Op. 102 for Cello and Piano 02:05
10 Fünf Stücke im Volkston, Op. 102 for Cello and Piano 03:06
Märchenbilder pour violoncelle & piano, op. 113 (arr. A. Piatti) (Robert Schumann)
11 Märchenbilder, Op. 113 for Cello and Piano 03:37
12 Märchenbilder, Op. 113 for Cello and Piano 04:17
13 Märchenbilder, Op. 113 for Cello and Piano 02:45
14 Märchenbilder, Op. 113 for Cello and Piano 05:15
Sonate pour arpeggione & piano en la mineur, D. 821 (version violoncelle & piano) (Franz Schubert)
15 Arpeggione Sonata, D821: Allegro moderato 11:48
16 Arpeggione Sonata, D821: Adagio 04:31
17 Arpeggione Sonata, D821: Allegretto 09:12

Performers:
Antonio Meneses (cello)
Gérard Wyss (piano)

Robert Schumann graced the cello repertoire not only with one of its most prominent concertos, but also with four sets of satisfying miniatures. Although all but the Op. 102 set on folk tunes was originally conceived for other instruments, it is with the cello that they have found their true home. Brazilian-born cellist Antonio Meneses does a superb job demonstrating to listeners why these works are best suited for his instrument. His sound is quite lean but never tinny. The result is a soaring and clear projection that easily rises above the piano. His interpretation is flexible and insightful, quickly changing gears between the contrasting character pieces. Intonation, articulation, and pacing are all quite refined. Schubert's Arpeggione Sonata is another work that was not originally composed for the cello but now stands as a cornerstone of the repertoire. Meneses' focused sound is again an asset in this work, yielding a graceful and carefree character to the piece. Pianist Gerard Wyss complements Meneses' sound and approach perfectly. While there are plenty of opportunities for the piano to become overbearing, Wyss provides a subdued, elegant background throughout.