Gerhard Oppitz - Schumann: Piano Works (2023) [Hi-Res]

03 Jan, 20:58
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Artist: Gerhard Oppitz
Title: Schumann: Piano Works
Year Of Release: 2023
Label: haenssler CLASSIC
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 02:22:17
Total Size: 437 MB / 2.23 GB
WebSite: Album Preview

Tracklist:

1. Schumann: Davidsbündlertänze, Op. 6: No. 1, Lebhaft (1:50)
2. Schumann: Davidsbündlertänze, Op. 6: No. 2, Innig (1:54)
3. Schumann: Davidsbündlertänze, Op. 6: No. 3, Mit Humor (1:36)
4. Schumann: Davidsbündlertänze, Op. 6: No. 4, Ungeduldig (1:01)
5. Schumann: Davidsbündlertänze, Op. 6: No. 5, Einfach (2:29)
6. Schumann: Davidsbündlertänze, Op. 6: No. 6, Sehr rasch (1:57)
7. Schumann: Davidsbündlertänze, Op. 6: No. 7, Nicht schnell (3:39)
8. Schumann: Davidsbündlertänze, Op. 6: No. 8, Frisch (1:07)
9. Schumann: Davidsbündlertänze, Op. 6: No. 9, Lebhaft (1:49)
10. Schumann: Davidsbündlertänze, Op. 6: No. 10, Balladenmäßig (1:46)
11. Schumann: Davidsbündlertänze, Op. 6: No. 11, Einfach (2:16)
12. Schumann: Davidsbündlertänze, Op. 6: No. 12, Mit Humor (0:48)
13. Schumann: Davidsbündlertänze, Op. 6: No. 13, Wild und lustig (3:27)
14. Schumann: Davidsbündlertänze, Op. 6: No. 14, Zart und singend (3:10)
15. Schumann: Davidsbündlertänze, Op. 6: No. 15, Frisch (2:07)
16. Schumann: Davidsbündlertänze, Op. 6: No. 16, Mit gutem Humor (1:53)
17. Schumann: Davidsbündlertänze, Op. 6: No. 17, Wie aus der Ferne (4:35)
18. Schumann: Davidsbündlertänze, Op. 6: No. 18, Nicht schnell (2:49)
19. Schumann: Humoreske, Op. 20 (31:37)
20. Schumann: Grand Sonata No. 3 in F Minor, Op. 14 (Excerpts): I. Allegro (8:12)
21. Schumann: Grand Sonata No. 3 in F Minor, Op. 14 (Excerpts): II. Scherzo. Molto comodo (6:37)
22. Schumann: Grand Sonata No. 3 in F Minor, Op. 14 (Excerpts): III. Quasi Variazioni (7:33)
23. Schumann: Grand Sonata No. 3 in F Minor, Op. 14 (Excerpts): IV. Prestissimo possible (8:12)
24. Schumann: Arabeske, Op. 18 (7:02)
25. Schumann: Blumenstück, Op. 19 (8:24)
26. Schumann: Faschingsschwank aus Wien, Op. 26: No. 1, Sehr lebhaft (10:42)
27. Schumann: Faschingsschwank aus Wien, Op. 26: No. 2, Romanze. Ziemlich langsam (2:33)
28. Schumann: Faschingsschwank aus Wien, Op. 26: No. 3, Scherzino (2:27)
29. Schumann: Faschingsschwank aus Wien, Op. 26: No. 4, Intermezzo. Mit größter Energie (2:29)
30. Schumann: Faschingsschwank aus Wien, Op. 26: No. 5, Finale. Höchst lebhaft (6:31)

Within the realm of Romantic piano music, where new discoveries are constantly just around the corner, the contribution of Robert Schumann has always played a major part. True, he cannot rival the aura of Chopin’s works, of which Ignaz Friedman asserted that not only had Chopin opened the piano with them, he had closed it again. (Schumann paid his own tribute in his reverent review of Chopin’s op. 2 of 1831, the Variations on Mozart’s “Reich mir die Hand, mein Leben”). Nor did Schumann embed in the history of piano playing such milestones of technical mastery and manual dexterity as Liszt who – inspired by Paganini’s concerts and enabled by the double-escapement action developed by Sébastien Erard in 1821 – had practically reinvented the instrument by the time he wrote his Etudes d’exécution transcendante in 1837. And neither the sprightliness of Felix Mendelssohn’s keyboard idiom nor Charles-Valentin Alkan’s exaltation of virtuosity are characteristic of Schumann’s piano music, even if he proves in his Abegg Variations op. 1 (1830) and his Toccata op. 7 (1832) that he brilliantly commanded both approaches to the instrument.

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