Hayden - Are We Good (2023) [Hi-Res]

Artist: Hayden
Title: Are We Good
Year Of Release: 2023
Label: Arts & Crafts Productions Inc.
Genre: Folk, Indie Rock, Singer-Songwriter
Quality: Mp3 320 kbps / FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 42:53
Total Size: 102 / 224 / 818 MB
WebSite: Album Preview
Tracklist:Title: Are We Good
Year Of Release: 2023
Label: Arts & Crafts Productions Inc.
Genre: Folk, Indie Rock, Singer-Songwriter
Quality: Mp3 320 kbps / FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 42:53
Total Size: 102 / 224 / 818 MB
WebSite: Album Preview
1. East Coast (04:52)
2. We Danced (03:52)
3. On A Beach (feat. Feist) (04:05)
4. Terry Cloth Blue (Every Single Thing) (03:02)
5. Nothing Wrong (04:06)
6. Are We Good (04:30)
7. Window Washer Blues (02:42)
8. Miss Fort Erie (04:28)
9. It's Just Me (02:45)
10. Lay This In My Mind (03:16)
11. Can't Happen Now (05:15)
The long-heralded king of Canadian slacker folk, Hayden will release his tenth studio album, Are We Good, a crowning achievement in his well deep catalogue of carefully hewn and heartrending indie folk – and his much-anticipated first new album since 2015's Hey Love.
Featuring guest vocals by Feist and co-writing by The National's Matt Berninger, the lead single "On A Beach" is easily the most uplifting and buoyant song in Hayden's downcast (and well deep) catalog, with its chorus of "we're drinking income taxes and there's sand at our feet." A spare bass groove, the gentlest of handclaps, Hayden's strained tenor, all explode into the honeyed melodies of the one Leslie Feist amidst a stream of harmonizing arpeggiators.
Hayden offers some of his best songwriting, painting with uncharacteristically broad strokes of emotion and sonic texture, like a cross between Pavement and Leonard Cohen.
Featuring guest vocals by Feist and co-writing by The National's Matt Berninger, the lead single "On A Beach" is easily the most uplifting and buoyant song in Hayden's downcast (and well deep) catalog, with its chorus of "we're drinking income taxes and there's sand at our feet." A spare bass groove, the gentlest of handclaps, Hayden's strained tenor, all explode into the honeyed melodies of the one Leslie Feist amidst a stream of harmonizing arpeggiators.
Hayden offers some of his best songwriting, painting with uncharacteristically broad strokes of emotion and sonic texture, like a cross between Pavement and Leonard Cohen.