Stacey Kent - The Boy Next Door (Remastered) (2023) [Hi-Res]
Artist: Stacey Kent
Title: The Boy Next Door
Year Of Release: 2003/2023
Label: Candid
Genre: Vocal Jazz
Quality: FLAC (tracks) 24/44,1, FLAC (tracks), 320 kbps
Total Time: 00:57:55
Total Size: 597 / 306 / 133 MB
WebSite: Album Preview
Tracklist:Title: The Boy Next Door
Year Of Release: 2003/2023
Label: Candid
Genre: Vocal Jazz
Quality: FLAC (tracks) 24/44,1, FLAC (tracks), 320 kbps
Total Time: 00:57:55
Total Size: 597 / 306 / 133 MB
WebSite: Album Preview
01 - The Best Is Yet To Come 03:27
02 - The Boy Next Door 03:40
03 - The Trolley Song 04:06
04 - Say It Isn't So 04:41
05 - Too Darn Hot 03:26
06 - Makin' Whoopee 03:08
07 - What The World Needs Now Is Love 04:12
08 - You've Got A Friend 04:22
09 - I Got It Bad 04:56
10 - Ooh-Shoo-Be-Doo-Bee 03:04
11 - People Will Say We're In Love 03:46
12 - Tis Autumn 04:30
13 - All I Do Is Dream Of You 03:27
14 - I Get Along Without You Very Well 03:25
15 - You're The Top 02:30
16 - Bookends 01:15
Wrapping her sweet voice around songs by male singers she admires, Stacey Kent delivers another pleasant and low-key album with The Boy Next Door. Kent's tribute choices range from traditional pop (Frank Sinatra, Tony Bennett) to mainstream jazz instrumentalists (Dave Brubeck, Dizzy Gillespie) to the softer side of rock (James Taylor, Simon and -- unmentioned in the liner notes -- Garfunkel). With a gentle conviction akin to early Blossom Dearie without the cheeky flair, the album makes for breezy listening. The 16 tracks don't differ enough in tone, making the album a bit too long, but individual moments of warm openhearted excellence make it worthwhile. The sentimentality of "Bookends" or "'Tis Autumn" suit her precious delivery well, while the sly moments of "Makin' Whoopee" feel out of the singer's reach. The bandmembers stay out of the way for the most part, waiting for their solos rather than interacting much with Kent. Drummer Matt Home's light but lively style is especially accommodating and guitarist Colin Oxley's percussive take on "Too Darn Hot" ends up being the album's greatest moment.