George Kooymans - Jojo (Remastered From Original Tape) (1972) Hi-Res
Artist: George Kooymans, Golden Earring
Title: Jojo (Remastered From Original Tape)
Year Of Release: 1972
Label: Red Bullet
Genre: Psychedelic Rock, Prog Rock
Quality: FLAC (tracks) 24bit-96kHz
Total Time: 35:05
Total Size: 738 Mb
WebSite: Album Preview
Tracklist: Title: Jojo (Remastered From Original Tape)
Year Of Release: 1972
Label: Red Bullet
Genre: Psychedelic Rock, Prog Rock
Quality: FLAC (tracks) 24bit-96kHz
Total Time: 35:05
Total Size: 738 Mb
WebSite: Album Preview
01. South Side Lady (Remastered From Original Tape) (3:04)
02. Day And Night (Remastered From Original Tape) (4:12)
03. Lay It On Me (Remastered From Original Tape) (3:03)
04. For Gail (Remastered From Original Tape) (4:00)
05. Lovin' And Hurtin' (Remastered From Original Tape) (2:36)
06. Low Rider (Remastered From Original Tape) (5:58)
07. We're Just Marking Time (Remastered From Original Tape) (3:37)
08. A Drifter's Love (Remastered From Original Tape) (4:01)
09. Spending All My Time With You (Remastered From Original Tape) (2:02)
10. Don't Be Lonely (Remastered From Original Tape) (2:32)
This is the solo debut of George Kooymans, a performer best known for his work as a guitarist and songwriter for Dutch rock legends Golden Earring. Surprisingly, the material on Jojo is totally lacking in the hard rock bombast and prog-rock tendencies that characterized Golden Earring's work around this time. Instead, it goes for a low-key but occasionally punchy rock sound that is somewhat reminiscent of Neil Young's early 1970s work. The focus of the songs is craftsmanship, with the band's efforts (plus occasional touches of orchestration) working towards placing the tuneful melody of each song in the spotlight. Good examples of this technique include "South Side Lady," which enhances its languid melody by slowly raising the tempo and layering in soulful background vocals, and "For Gail," whose dynamic arrangement pits drum-driven verses against a more relaxed chorus to highlight the song's catchy hooks. The problem with Jojo is that, while all its songs are well-crafted, none of them are of the insidiously catchy variety that would make the album appeal to anyone beyond Golden Earring fans. Also, the album tends toward a similar sound on most of its tracks instead of experimenting with the kinds of varied styles and sounds that might have won over non-fans. The end result is an album that has limited appeal beyond the Golden Earring fanbase, but remains a solid and tuneful batch of songs guaranteed to appeal to those fans.