Christopher Williams - Lures for Feeling: Piano Music of Richard Elfyn Jones (2024) Hi-Res

Artist: Christopher Williams
Title: Lures for Feeling: Piano Music of Richard Elfyn Jones
Year Of Release: 2024
Label: Willowhayne Records Ltd
Genre: Classical
Quality: FLAC 16/24 Bit (96 KHz / tracks+booklet)
Total Time: 47:25 min
Total Size: 112 / 802 MB
WebSite: Album Preview
Tracklist:Title: Lures for Feeling: Piano Music of Richard Elfyn Jones
Year Of Release: 2024
Label: Willowhayne Records Ltd
Genre: Classical
Quality: FLAC 16/24 Bit (96 KHz / tracks+booklet)
Total Time: 47:25 min
Total Size: 112 / 802 MB
WebSite: Album Preview
01. Piano Sonata No. 1: I. Capriccio - Tempo comodo
02. Piano Sonata No. 1: II. Andante grazioso
03. Piano Sonata No. 1: III. Capriccio - Con brio e alla danza
04. Threnody for Ukraine
05. Dithyramb
06. Dance Mosaic
07. 3 Fantasy Evocations: No. 1, Allegro giocoso
08. 3 Fantasy Evocations: No. 2, Allegro amabile
09. 3 Fantasy Evocations: No. 3, Ritmico ma espressivo
Christopher Williams followed in the tradition of robust soul vocalists such as Teddy Pendergrass, Jeffrey Osborne, and James "D Train" Williams. The Virginia native, not only a singer but an arranger and producer as well, surfaced during the tail-end of the '80s, around the middle of the new jack swing era. "Talk to Myself" and "Promises, Promises," a pair of Billboard Top Ten R&B singles made with Timmy Gatling and Alton Wokie Stewart, marked his arrival. Those hits drove parent album Adventures in Paradise (1989), Williams' full-length debut for Geffen, to number 23 on the R&B album chart. His acting career began with New Jack City (1991), for which he was cast as an assistant to Wesley Snipes' lead character. Just as notably, Williams contributed "I'm Dreamin'," a number one R&B hit, to the film's certified platinum soundtrack. The singer moved to the Uptown label for Changes (1992), an album that generated another Top Ten R&B hit in "Every Little Thing U Do." Despite collaborations with DeVante Swing and Puff Daddy, the set didn't fully capitalize upon the success that preceded it. Williams changed labels once again for Not a Perfect Man (Giant, 1995). No major hits came from it, and Williams responded by concentrating on stage and small screen acting roles for the long term. On occasion, he recorded as an independent artist, as heard on Real Men Do (2001) and "Too Late" (2015). ~ Andy Kellman