Bartolomeo Dandolo Marchesi, Simona Marchesi - Romberg: Good Bye, Great Artist. Truly Yours, Beethoven | 3 Grand Sonatas, Op. 5 for Harp and Cello (2024) [Hi-Res]

Artist: Bartolomeo Dandolo Marchesi, Simona Marchesi
Title: Romberg: Good Bye, Great Artist. Truly Yours, Beethoven | 3 Grand Sonatas, Op. 5 for Harp and Cello
Year Of Release: 2024
Label: Challenge Classics
Genre: Classical
Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
Total Time: 01:16:31
Total Size: 313 mb / 1.25 gb
WebSite: Album Preview
TracklistTitle: Romberg: Good Bye, Great Artist. Truly Yours, Beethoven | 3 Grand Sonatas, Op. 5 for Harp and Cello
Year Of Release: 2024
Label: Challenge Classics
Genre: Classical
Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
Total Time: 01:16:31
Total Size: 313 mb / 1.25 gb
WebSite: Album Preview
01. Sonata No. 1 in E-Flat Major: I. Adagio — Allegro
02. Sonata No. 1 in E-Flat Major: II. Andante
03. Sonata No. 1 in E-Flat Major: III. Rondo
04. Sonata No. 2 in F Major: I. Allegro vivace
05. Sonata No. 2 in F Major: II. Adagio
06. Sonata No. 2 in F Major: III. Rondo
07. Sonata No. 3 in B-Flat Major: I. Allegro
08. Sonata No. 3 in B-Flat Major: II. Andante
09. Sonata No. 3 in B-Flat Major: III. Polacca
"Good-bye, great artist. Truly yours, Beethoven" is the quote that concludes a letter Beethoven wrote to his friend Romberg on February 12, 1822. The two were indeed friends, and Beethoven greatly admired and respected Romberg as a musician and composer.The three Sonatas op. 5 for harp and cello (or violin), published in Paris in 1803.In essence, these compositions are three large concertante sonatas, each of which is articulated in three movements.The musical material is distributed evenly between the two instruments, in order to create a continuous dialogue between them. The writing, for its time, is to be considered at the limit of virtuosity.Romberg occupies his indelible place in history, not only for his musical importance but for all the innovations he brought to cello technique, didactics, and even of the construction of the instrument itself.