Staatskapelle Dresden - Edition Staatskapelle Dresden, Vol. 48 (2024)

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Artist:
Title: Edition Staatskapelle Dresden, Vol. 48
Year Of Release: 2024
Label: Profil Edition Guenter Haenssler
Genre: Classical
Quality: FLAC (tracks)
Total Time: 266:48 min
Total Size: 1 GB
WebSite:

Tracklist:

CD1:

01. Violin Concerto No. 5 in A Major, K. 219 "Turkish": I. Allegro aperto
02. Violin Concerto No. 5 in A Major, K. 219 "Turkish": II. Adagio
03. Violin Concerto No. 5 in A Major, K. 219 "Turkish": III. Rondeau. Tempo di menuetto
04. Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": I. Allegro
05. Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso
06. Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": III. Rondo. Allegro

CD2:

01. Piano Concerto No. 4 in G Major, Op. 58: I. Allegro moderato
02. Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto
03. Piano Concerto No. 4 in G Major, Op. 58: III. Rondo. Vivace
04. Violin Concerto in D Major, Op. 61: I. Allegro ma non troppo
05. Violin Concerto in D Major, Op. 61: II. Larghetto
06. Violin Concerto in D Major, Op. 61: III. Rondo. Allegro

CD3:

01. Violin Concerto in D Major, Op. 77: I. Allegro non troppo
02. Violin Concerto in D Major, Op. 77: II. Adagio
03. Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace
04. Piano Concerto No. 3 in C Minor, Op. 37: I. Allegro con brio
05. Piano Concerto No. 3 in C Minor, Op. 37: II. Largo
06. Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo. Allegro

CD4:

01. Horn Concerto in E-Flat Major, K. 447: I. Allegro
02. Horn Concerto in E-Flat Major, K. 447: II. Romance. Larghetto
03. Horn Concerto in E-Flat Major, K. 447: III. Allegro
04. Piano Concerto No. 2 in B-Flat Major, Op. 83: I. Allegro non troppo
05. Piano Concerto No. 2 in B-Flat Major, Op. 83: II. Allegro appassionato
06. Piano Concerto No. 2 in B-Flat Major, Op. 83: III. Andante
07. Piano Concerto No. 2 in B-Flat Major, Op. 83: IV. Allegretto grazioso

After a string of major symphonic recordings, Karl Böhm and the Staatskapelle Dresden embarked in the autumn of 1938 (relatively late, three years after they had begun recording with him) on the documentation of a new genre. From now on, it was increasingly the case that notes instrumental soloists would be invited to Dresden - world stars such as the pianists Wilhem Backhaus, Edwin Fischer and Walter Gieseking were imaginatively combined with newcomers like the young violinist Wolfgang Schneiderhan and with former members of the orchestra such as past leaders Jan Dahmen and Max Strub, who had successfully established themselves as soloists.


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