Demian Baraldi, Dylan Baraldi - Massonneau: 3 Duos Concertante, Op. 9 (2024) [Hi-Res]

Tracklist

01. Duet No. 1, Op. 9: I. Allegro Vivace
02. Duet No. 1, Op. 9: II. Andante con Espressione
03. Duet No. 1, Op. 9: III. Rondo allegro Vivace
04. Duet No. 2, Op. 9: I. Allegro Moderato
05. Duet No. 2, Op. 9: II. Adagio Sostenuto
06. Duet No. 2, Op. 9: III. Andante con Variazioni
07. Duet No. 3, Op. 9: I. Allegro Moderato
08. Duet No. 3, Op. 9: II. Andante con Variazioni
09. Duet No. 3, Op. 9: III. Allegretto

Attractive Classical-era duets for violin and cello in world-premiere recordings by a young Italian pair of brothers.
Despite his French name, Louis Massonneau was a German composer, born in Kassel in 1766 and dying at the venerable age of 82 in Mecklenburg-Vorpommern in 1848. His father was chef to the Landgrave Friedrich II of Hessen-Kassel, and Louis received his musical training at the hands of the court musicians in Kassel, soon becoming a violinist in the court orchestra. The Landgrave died when Massonneau was 19, and the orchestra disbanded, requiring him to seek his fortune elsewhere. This he did in a series of posts, as a concertmaster of court and theatre orchestras in Göttingen, Frankfurt, Altona, Dessau, Hamburg and finally Mecklenburg, where he settled for good and retired in 1837.

Composing all the while, Massonneau left behind a fairly substantial catalogue. Almost completely unknown apart from a trio of oboe quartets, it includes three symphonies, twelve symphonies and six violin concertos, doubtless written with his own talents in mind. These three Duos Concertante probably date from Massonneau’s time in Altona, when he came to know the cellist Martin Calmus. Required to perform duets for the entertainment of those attending ‘Musical Academies’, Massonneau doubtless found a dearth of such repertoire, and wrote it afresh. Calmus himself must have been an accomplished cellist, because both parts demonstrate a virtuosity and experimental spirit shared with the better-known music of their contemporary Boccherini. Each duo is cast in three movements, skilfully varied in form from the others, in which lyrical expression is tempered by a touch of irony. Haydnesque touches of major-minor ambiguity lend dramatic tension to the first duo, while a more balletic spirit and Mozartian melodic charm brings a quasi-operatic character to the second. No.3 is the most innovative in its rapid conversational interplay between violin and cello and unconventional range of timbre. Demian and Dylan Baraldi have made this recording with the cooperation of the Edition Massonneau, and authoritative booklet notes from the Edition illuminate the composer’s life and work.

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