Yuki Negishi - Preludes (2024)

Tracklist

01. 12 Preludes, Op. 63: No. 1 in A Minor
02. 12 Preludes, Op. 63: No. 2 in A Major
03. 12 Preludes, Op. 63: No. 3 in G-Sharp Minor
04. 12 Preludes, Op. 63: No. 4 in A-Flat Major
05. 12 Preludes, Op. 63: No. 5 in G Minor
06. 12 Preludes, Op. 63: No. 6 in G Major
07. 12 Preludes, Op. 63: No. 7 in E Major
08. 12 Preludes, Op. 63: No. 8 in E-Flat Minor
09. 12 Preludes, Op. 63: No. 9 in E-Flat Major
10. 12 Preludes, Op. 63: No. 10 in D Minor
11. 12 Preludes, Op. 63: No. 11 in D Major
12. 12 Preludes, Op. 63: No. 12 in D-Flat Major
13. 10 Preludes, Op. 23: No. 1 in F-Sharp Minor
14. 10 Preludes, Op. 23: No. 2 in B-Flat Major
15. 10 Preludes, Op. 23: No. 3 in D Minor
16. 10 Preludes, Op. 23: No. 4 in D Major
17. 10 Preludes, Op. 23: No. 5 in G Minor
18. 10 Preludes, Op. 23: No. 6 in E-Flat Major
19. 10 Preludes, Op. 23: No. 7 in C Minor
20. 10 Preludes, Op. 23: No. 8 in A-Flat Major
21. 10 Preludes, Op. 23: No. 9 in E-Flat Minor
22. 10 Preludes, Op. 23: No. 10 in G-Flat Major
23. Prelude in A Minor, M. 65
24. 3 Preludes: No. 1, Allegro ben ritmato e deciso
25. 3 Preludes: No. 2, Andante con moto
26. 3 Preludes: No. 3, Allegro ben ritmato e deciso

This album features Preludes from four composers, who were all accomplished pianists and composers, and who interacted and influenced each other. Sergei Rachmaninoff (1873–1943) entered the Moscow Conservatory as a young man, and one of his teachers there was Anton Arensky (1861–1906) who taught harmony. While Rachmaninoff's style and compositions were significantly influenced by other composers like Tchaikovsky, it is likely that Arensky had some impact on his musical development, especially in his earlier works. There is very little documented about Arensky, although his compositions are pleasing to the ear and deserve to be played and heard more often. It is not clear when his 12 Preludes Op.63 were composed, which are comprised of 12 very short pieces and idiomatically Chopinesque. George Gershwin (1898–1937) and Maurice Ravel (1875–1937) had a mutual admiration for each other's works. Ravel was familiar with and appreciated Gershwin's jazz-influenced compositions, while Gershwin showed deep respect for Ravel's music by approaching Ravel with the desire to study composition under him.

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