Knabenchor Hannover - Charpentier: Messe pour le samedi de Pâques, H. 8 & Messe des morts, H. 7 (2024)

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Title: Charpentier: Messe pour le samedi de Pâques, H. 8 & Messe des morts, H. 7
Year Of Release: 2024
Label: haenssler CLASSIC
Genre: Classical
Quality: FLAC (tracks)
Total Time: 51:54 min
Total Size: 219 MB
WebSite:

Tracklist:

01. Messe pour les paroisses: I. Plain-chant du premier Kyrie, en taille
02. Messe pour le samedi de Pâques, H. 8: Ia. Kyrie. Kyrie eleison
03. Messe pour les paroisses: III. Troisième couplet du Kyrie. Récit de chromhorne
04. Messe pour le samedi de Pâques, H. 8: Ib. Kyrie. Christe eleison
05. Messe pour les paroisses: IV. 4e couplet. Dialogue sur la trompette et le chromhorne
06. Messe pour le samedi de Pâques, H. 8: Ic. Kyrie. Kyrie eleison
07. Messe pour les paroisses: V. Plein-chant. Dernier Kyrie
08. Messe pour le samedi de Pâques, H. 8: II. Gloria. Gloria in excelsis
09. Messe pour les couvents: XVI. Premier couplet. Plein jeu
10. Messe pour le samedi de Pâques, H. 8: III. Sanctus
11. Messe pour les couvents: XVII. 2e couplet. Récit de cornet
12. Messe pour le samedi de Pâques, H. 8: IV. Pleni sunt coeli
13. Messe pour les couvents: XVIII. Élévation. Tierce en taille
14. Messe pour le samedi de Pâques, H. 8: V. Benedictus
15. Messe pour les couvents: XIX. Agnus Dei
16. Messe pour le samedi de Pâques, H. 8: VI. Agnus Dei
17. Messe des morts, H. 7: I. Kyrie
18. Messe des morts, H. 7: II. Sanctus
19. Messe des morts, H. 7: III. Elevation
20. Messe des morts, H. 7: IV. Benedictus
21. Messe des morts, H. 7: V. Agnus Dei
22. Messe des morts, H. 7: VI. De profundis

A good deal about the life of Marc-Antoine Charpentier, without a question the greatest master of 17th-century French sacred music, remains unknown to us. Charpentier's masses cannot be reduced to a common denominator. The mass Assumpta est Maria, with a prayer for the health of the king following on the Agnus Dei, calls for a larger orchestra along with the six parts of the choir. In contrast, the employment of orchestral and vocal resources in both masses on this recording remains at a more modest level.

On this recording selections from the two organ masses composed by the great harpsichordist François Couperin for use in parish churches and in cloister churches are heard at those placed in the Easter mass. The alternation of organ playing and singing is a practice which has been attested since the late 14th century. It did not experience a real flourishing, however, until the France of the second half of the 17th century. In 1690 François Couperin obtained permission to print both his organ masses. Each of these two masses contains 21 pieces assigned to the various units in the ordinary of the mass. Couperin prescribed the registration for these pieces in exact terms, as is the case, for example, in the dialogue between trumpet and cromorne in the Messe pour les Paroisses.


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