Marianne Croux, Cyrille Dubois, Ensemble Hexaméron, Luca Montebugnoli - Pasticcio (2024) [Hi-Res]

Tracklist

01. Les Mystères d'Isis: Ouverture (Version for Piano, Flute, Violin & Cello)
02. Il Matrimonio segreto, Act II Scene 5: Pria che spunti in ciel l'aurora (Arr. for Ensemble and Tenor by Ensemble Hexaméron)
03. Flute Concerto No. 7 in E Minor: III. Allegretto poco moderato (Version by Pierre Vaillant, Arr. for Flute and Piano by Ensemble Hexaméron)
04. Les Mystères d'Isis, Act I Scene 8: Cher Isménor, prens ma défense (Arr. for Ensemble and Soprano by Ensemble Hexaméron)
05. Romances de Gonzalve de Cordoue: Chant de Pedro
06. Romances de Gonzalve de Cordoue: Chant de Cortez
07. Romances de Gonzalve de Cordoue: Hymne à la mort
08. Romance for Cello & Piano
09. Nina, o sia La pazza per amore, R. 1.78, Act I Scene 6: Il moi ben quando verrà (Arr. for Ensemble and Soprano by Ensemble Hexaméron)
10. Six nocturnes à deux voix, Op. 8: No. 1, Ti sento, sospiri
11. Six nocturnes à deux voix, Op. 8: No. 2, Placido zeffiretto
12. Six nocturnes à deux voix, Op. 8: No. 5, Dal moi bel sol lontano
13. Les Mystères d'Isis, Act I Scene 4: O gage si cher à mon cœur (Arr. for Ensemble and Tenor by Ensemble Hexaméron)
14. Piano Concerto No. 3: II. Andante con violino obbligato (Arr. for Violin and Piano by Ensemble Hexaméron)
15. La complainte du troubadour
16. Six nouvelles romances: No. 4, Salut à toi belle prairie
17. Piano Concerto No. 25 in C Major, KV 503: III. Allegretto (Version by F. Kalkbrenner, Arr. for Ensemble and Piano by Luca Montebugnoli)
18. Six nocturnes à deux voix, Op. 8: No. 3, Questo core se teme e spera
19. Six nocturnes à deux voix, Op. 8: No. 4, Non so dire se sono amante
20. Six nocturnes à deux voix, Op. 8: No. 6, Che fa il moi bene

A mysterious opera, an historical piano, two singers, and four instrumentalists. Ensemble Hexameron presents a rich variety of instrumental and vocal music, thus painting a musical portrait of Paris at the dawn of the nineteenth century; a time when different cultures and genres were at crossroads, and when Mozart was yet to be truly discovered as a composer in France.

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