Désirée Meiser - Roland Moser: Rahel und Pauline (2024)
Artist: Désirée Meiser, Jeannine Hirzel
Title: Roland Moser: Rahel und Pauline
Year Of Release: 2024
Label: Solo Musica
Genre: Classical
Quality: FLAC (tracks+booklet)
Total Time: 77:20 min
Total Size: 280 MB
WebSite: Album Preview
Title: Roland Moser: Rahel und Pauline
Year Of Release: 2024
Label: Solo Musica
Genre: Classical
Quality: FLAC (tracks+booklet)
Total Time: 77:20 min
Total Size: 280 MB
WebSite: Album Preview
Tracklist:
01. Rahel und Pauline, Pt. 1 "Berlin 1804-1811": Liebe Ralle
02. Rahel und Pauline, Pt. 1 "Berlin 1804-1811": Scherzo I
03. Rahel und Pauline, Pt. 1 "Berlin 1804-1811": O, Ralle, was macht
04. Rahel und Pauline, Pt. 1 "Berlin 1804-1811": Zum Leiden ist ihr starkes Herz
05. Rahel und Pauline, Pt. 1 "Berlin 1804-1811": Erfurt, den 11.12.1805
06. Rahel und Pauline, Pt. 1 "Berlin 1804-1811": Der Krieg
07. Rahel und Pauline, Pt. 1 "Berlin 1804-1811": Schicke Geld, ich habe keinen Sou
08. Rahel und Pauline, Pt. 1 "Berlin 1804-1811": Marcia funebre
09. Rahel und Pauline, Pt. 2 "Karlsruhe/Murten, Spring 1818": Karlsruhe, Montag den 28. März 1818
10. Rahel und Pauline, Pt. 2 "Karlsruhe/Murten, Spring 1818": Liedchen der Rahel
11. Rahel und Pauline, Pt. 2 "Karlsruhe/Murten, Spring 1818": Die Pläne fest im Kopf
12. Rahel und Pauline, Pt. 2 "Karlsruhe/Murten, Spring 1818": Ariette, capricciosa
13. Rahel und Pauline, Pt. 2 "Karlsruhe/Murten, Spring 1818": Endlich warmes schönes Wetter
14. Rahel und Pauline, Pt. 2 "Karlsruhe/Murten, Spring 1818": Wir mussten uns um 10 Jahre verfehlen
15. Rahel und Pauline, Pt. 2 "Karlsruhe/Murten, Spring 1818": Aria trasognata
16. Rahel und Pauline, Pt. 2 "Karlsruhe/Murten, Spring 1818": Ou étiez vous Samédi
17. Rahel und Pauline, Pt. 2 "Karlsruhe/Murten, Spring 1818": Basel, den 26.1.1819
18. Rahel und Pauline, Pt. 3 "Berlin/Paris, Baden-Baden, c. 1820-1830": Berlin, Donnerstag vormittag
19. Rahel und Pauline, Pt. 3 "Berlin/Paris, Baden-Baden, c. 1820-1830": So bin ich provisorisch
20. Rahel und Pauline, Pt. 3 "Berlin/Paris, Baden-Baden, c. 1820-1830": Zwischenspiel
21. Rahel und Pauline, Pt. 3 "Berlin/Paris, Baden-Baden, c. 1820-1830": Aber darin
22. Rahel und Pauline, Pt. 3 "Berlin/Paris, Baden-Baden, c. 1820-1830": Kleine Revolutionsmusik
23. Rahel und Pauline, Pt. 3 "Berlin/Paris, Baden-Baden, c. 1820-1830": Was sahen Sie zu die Nachrichten
24. Rahel und Pauline, Pt. 3 "Berlin/Paris, Baden-Baden, c. 1820-1830": Je me tais sur tout
25. Rahel und Pauline, Pt. 3 "Berlin/Paris, Baden-Baden, c. 1820-1830": Il est admirable
26. Rahel und Pauline, Pt. 3 "Berlin/Paris, Baden-Baden, c. 1820-1830": Car il est 11 heure
27. Rahel und Pauline, Pt. 3 "Berlin/Paris, Baden-Baden, c. 1820-1830": Duettino
28. Rahel und Pauline, Pt. 3 "Berlin/Paris, Baden-Baden, c. 1820-1830": Berlin, den 27. Februar
29. Rahel und Pauline, Epilogue: Nachspiel
German Romanticism was never an arcane hideout for other-worldly escapists; rather, it has to this day remained one of the most popular wellsprings of activity and discussion. So how does Rahel Varnhagen fit into this? From 1790 to 1832, she hosted a famous salon in which she had discussions with and inspired eminent figures in the fields of literature, theater, philosophy, music, politics, and science. Her chains of somewhat unconventional correspondence span thousands of pages. Since Hannah Arendt's groundbreaking book on Rahel (1933/58), her historical significance as a "pariah", as an outsider who was constantly in the spotlight, as a woman of Jewish descent and as a (non-publishing) writer has been brought into ever-sharper focus. Pauline, the daughter of a banker by the name of César, was from a very early age admired by many on account of her beauty. She bore the child of a Russian officer, and became the lover of Prince Louis Ferdinand of Prussia. Portrayed here by a concert singer, Pauline is allowed to be extravagant, whereas Rahel, who leans more towards straight theatre, is rather more rigid in her spoken and sung idiom. Born in 1943 in Bern (Switzerland), Roland Moser studied composition with Sándor Veress and has degrees in piano and music theory from Bern.
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