Malachi Thompson & Africa Brass - Buddy Bolden's Rag (1995)
Artist: Malachi Thompson, Africa Brass
Title: Buddy Bolden's Rag
Year Of Release: 1995
Label: Delmark Records
Genre: Hard Bop, Post-Bop
Quality: FLAC (tracks+.cue,log,scans)
Total Time: 01:11:19
Total Size: 458 MB
WebSite: Album Preview
Tracklist:Title: Buddy Bolden's Rag
Year Of Release: 1995
Label: Delmark Records
Genre: Hard Bop, Post-Bop
Quality: FLAC (tracks+.cue,log,scans)
Total Time: 01:11:19
Total Size: 458 MB
WebSite: Album Preview
01. Buddy Bolden's Rag (Thompson) - 5:59
02. World View (Thompson) - 8:33
03. The Chaser in Brazil (Thompson) - 5:44
04. We Bop (Bowie) - 5:40
05. Nubian Call (Thompson) - 12:43
06. The Chaser in America (Thompson) - 8:49
07. Kojo Time (Alexander) - 7:17
08. Harold the Great (McFarland) - 9:50
09. A Mouse in the House (Thompson) - 6:44
Malachi Thompson is impressive not only because of his talents as a composer and a soloist, but also because of his versatility. The Chicago trumpeter has no problem playing Blue Note-flavored hard bop/post-bop, but he's equally comfortable in avant-garde situations. Though Clifford Brown, Lee Morgan, and Freddie Hubbard are strong influences on Thompson, he has also learned a lot from Lester Bowie. In fact, Bowie is a featured guest on Buddy Bolden's Rag. This superb CD finds Thompson celebrating the contributions of New Orleans cornetist Buddy Bolden, one of jazz's pioneers and a major influence on such greats as King Oliver and Louis Armstrong. It has been argued that Bolden single-handedly "invented" jazz in the 1890s, and while it's a stretch to say that he invented jazz all by himself, he most certainly played a crucial role in its development. (Jelly Roll Morton, by the way, claimed to have "invented" jazz -- again, no one should take credit for single-handedly inventing it). On Buddy Bolden's Rag, Thompson and his band Africa Brass salute Bolden in an unconventional way; instead of playing traditional New Orleans jazz, they provide inside/outside post-bop that acknowledges Crescent City brass bands as well as avant-garde and AACM jazz. Thompson looks back on jazz's early history but does so without being the least bit dogmatic about it, and the result is a very enriching and unpredictable CD.