Orchestra of the Eighteenth Century, Alexander Janiczek - C.P.E. Bach: The Hamburg Symphonies, Wq. 182 (2023) [Hi-Res]

Tracklist

01. Symphony No. 1 in G Major, Wq. 182: I. Allegro di molto
02. Symphony No. 1 in G Major, Wq. 182: II. Poco adagio
03. Symphony No. 1 in G Major, Wq. 182: III. Presto
04. Symphony No. 2 in B-Flat Major, Wq. 182: I. Allegro di molto
05. Symphony No. 2 in B-Flat Major, Wq. 182: II. Poco adagio
06. Symphony No. 2 in B-Flat Major, Wq. 182: III. Presto
07. Symphony No. 3 in C Major, Wq. 182: I. Allegro assai
08. Symphony No. 3 in C Major, Wq. 182: II. Adagio
09. Symphony No. 3 in C Major, Wq. 182: III. Allegretto
10. Symphony No. 4 in A Major, Wq. 182: I. Allegro ma non troppo
11. Symphony No. 4 in A Major, Wq. 182: II. Largo ed innocentemente
12. Symphony No. 4 in A Major, Wq. 182: III. Allegro assai
13. Symphony No. 5 in B Minor, Wq. 182: I. Allegretto
14. Symphony No. 5 in B Minor, Wq. 182: II. Larghetto
15. Symphony No. 5 in B Minor, Wq. 182: III. Presto
16. Symphony No. 6 in E Major, Wq. 182: I. Allegro di molto
17. Symphony No. 6 in E Major, Wq. 182: II. Poco andante
18. Symphony No. 6 in E Major, Wq. 182: III. Allegro spiritoso



The Orchestra of the Eighteenth Century continues true to its original guiding spirit, with a new recording of the six Hamburg Symphonies, Wq 182 by Carl Philipp Emanuel Bach.

This second son of JS Bach, Carl Philipp has sometimes had a rough ride with posterity (and with some of his contemporaries too). Although overshadowed later by Haydn and Mozart - albeit admired by the pair - and overshadowed in his lifetime by Handel, he remains a crucial link between the Baroque and the Classical, particularly for the ultra-sensitive style, his Empfindsamkeit.

Thirty years spent writing hundreds of harpsichord works in the Berlin of Frederick II of Prussia before moving to Hamburg to write religious music at the Johanneum, his mind was awash with new and different ideas appreciated by Gottfried van Swieten. This baron commissioned these six symphonies, urging Carl Philipp to aim high in his compositional writing, and he responded by giving free rein to his musical ideas and his treatment of the instruments in these six three-movement works.

Scored for strings and continuo, these works from 1773 have very little in common with other pre-classical symphonies, including those by Carl Philipp's brother Johann Christian (or Italian opera overtures), as is remarked upon by Emilio Moreno in his booklet essay.

The Orchestra - here with Alexander Janiczek as leader - responds with evident pleasure to Bach's rich harmonies, bold dynamics and flowing melodies and with much appetite for his virtuosic instrumental writing.

Orchestra of the Eighteenth Century
Alexander Janiczek, direction

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