Magdalena Hoffmann - Fantasia (2024) [Hi-Res]

  • 05 Sep, 18:23
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Artist:
Title: Fantasia
Year Of Release: 2024
Label: Deutsche Grammophon (DG)
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 01:00:18
Total Size: 204 MB / 1.08 GB
WebSite:

Tracklist:

1. C.P.E. Bach: Fantasia in E-Flat Major, H. 348 (Transcr. for Harp) (6:33)
2. W.F. Bach: Prelude in C Minor, F. 29 (Transcr. for Harp) (1:56)
3. W.F. Bach: Fantasia in A Minor, F. 23 (Transcr. for Harp) (3:56)
4. Weiss: Prelude in C Minor (Transcr. for Harp) (2:18)
5. Weiss: Fantasia in C Minor (Transcr. for Harp) (2:18)
6. Prelude & Allegro in A Minor, HWV 576 (Transcr. for Harp) : Handel: Prelude & Allegro in A Minor, HWV 576 (Transcr. for Harp): I. Prelude (1:16)
7. Prelude & Allegro in A Minor, HWV 576 (Transcr. for Harp) : Handel: Prelude & Allegro in A Minor, HWV 576 (Transcr. for Harp): II. Allegro (1:41)
8. J.S. Bach: Prelude in C Minor, BWV 921 (Transcr. for Harp) (3:25)
9. Suite in G Minor, HWV 453 : Handel: Suite in G Minor, HWV 453: I. Ouverture (Transcr. for Harp) (3:47)
10. Partita in C Minor, HWV 444 : Handel: Partita in C Minor, HWV 444: I. Prelude (Transcr. for Harp) (1:14)
11. Handel: Air in G Minor, HWV 467 (Transcr. for Harp) (2:57)
12. C.P.E. Bach: Fantasia in D Major, H. 160 (Transcr. for Harp) (2:31)
13. J.S. Bach: Fantasia in G Minor, BWV 917 (Transcr. for Harp) (2:22)
14. Handel: Prelude in D Minor, HWV 562 (Transcr. for Harp) (1:43)
15. W.F. Bach: Fantasia in D Minor, F. 19 (Transcr. for Harp) (6:43)
16. C.P.E. Bach: Fantasia in F-Sharp Minor, H. 300 "Bachs Empfindungen" (Transcr. for Harp) (13:32)
17. J.S. Bach: Sinfonia (3-Part Invention) No. 11 in G Minor, BWV 797 (Transcr. for Harp) (2:14)

Magdalena Hoffmann releases her second DG album Fantasia, focusing on the music of the Baroque period. Channeling the period’s contrasting spirit of improvisation and formal rigour, Hoffmann showcases the harp in a collection of fantasias and preludes originally composed for keyboard or lute by Bach, his sons Wilhelm Friedemann and Carl Philipp Emanuel, as well as his contemporaries George Frideric Handel and Silvius Leopold Weiss.

Using the resonance and versatility of her instrument, Hoffmann adds new spatial dimensions to this richly imaginative repertoire. “The harp offers the possibility of great inner tension and a kind of spiritual dynamic which has a liberating effect,” she notes. “And that means each fantasia is like a musical snapshot that sounds different every time you play it – its energy is infinite, and it can never be definitively captured.”


  • olga1001
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Booklet is on Qobuz

https://static.qobuz.com/goodies/69/000171996.pdf

http://audiofil.hostronavt.ru/booklet.php?i=1
  • platico
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gracias...