Gabriel Schwabe & Nicholas Rimmer - Beethoven: Complete Works for Cello and Piano, Vol. 1 (2024) [Hi-Res]
Artist: Gabriel Schwabe, Nicholas Rimmer
Title: Beethoven: Complete Works for Cello and Piano, Vol. 1
Year Of Release: 2024
Label: Naxos
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 01:11:52
Total Size: 268 MB / 1.23 GB
WebSite: Album Preview
Tracklist:Title: Beethoven: Complete Works for Cello and Piano, Vol. 1
Year Of Release: 2024
Label: Naxos
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 01:11:52
Total Size: 268 MB / 1.23 GB
WebSite: Album Preview
1. Beethoven: Cello Sonata No. 1 in F Major, Op. 5, No. 1: I. Adagio sostenuto - Allegro (17:24)
2. Beethoven: Cello Sonata No. 1 in F Major, Op. 5, No. 1: II. Rondo. Allegro vivace (7:01)
3. Beethoven: 12 Variations on Ein Mädchen oder Weibchen from Mozart's Die Zauberflöte in F Major, Op. 66: Thema. Allegretto (0:30)
4. Beethoven: 12 Variations on Ein Mädchen oder Weibchen from Mozart's Die Zauberflöte in F Major, Op. 66: Var. 1 (0:33)
5. Beethoven: 12 Variations on Ein Mädchen oder Weibchen from Mozart's Die Zauberflöte in F Major, Op. 66: Var. 2 (0:32)
6. Beethoven: 12 Variations on Ein Mädchen oder Weibchen from Mozart's Die Zauberflöte in F Major, Op. 66: Var. 3 (0:32)
7. Beethoven: 12 Variations on Ein Mädchen oder Weibchen from Mozart's Die Zauberflöte in F Major, Op. 66: Var. 4 (0:33)
8. Beethoven: 12 Variations on Ein Mädchen oder Weibchen from Mozart's Die Zauberflöte in F Major, Op. 66: Var. 5 (0:33)
9. Beethoven: 12 Variations on Ein Mädchen oder Weibchen from Mozart's Die Zauberflöte in F Major, Op. 66: Var. 6 (0:30)
10. Beethoven: 12 Variations on Ein Mädchen oder Weibchen from Mozart's Die Zauberflöte in F Major, Op. 66: Var. 7 (0:39)
11. Beethoven: 12 Variations on Ein Mädchen oder Weibchen from Mozart's Die Zauberflöte in F Major, Op. 66: Var. 8 (0:30)
12. Beethoven: 12 Variations on Ein Mädchen oder Weibchen from Mozart's Die Zauberflöte in F Major, Op. 66: Var. 9 (0:35)
13. Beethoven: 12 Variations on Ein Mädchen oder Weibchen from Mozart's Die Zauberflöte in F Major, Op. 66: Var. 10, Adagio (1:10)
14. Beethoven: 12 Variations on Ein Mädchen oder Weibchen from Mozart's Die Zauberflöte in F Major, Op. 66: Var. 11, Poco adagio, quasi andante (0:59)
15. Beethoven: 12 Variations on Ein Mädchen oder Weibchen from Mozart's Die Zauberflöte in F Major, Op. 66: Var. 12, Allegro (1:57)
16. Beethoven: Cello Sonata No. 2 in G Minor, Op. 5, No. 2: I. Adagio sostenuto e espressivo - Allegro molto più tosto presto (19:44)
17. Beethoven: Cello Sonata No. 2 in G Minor, Op. 5, No. 2: II. Rondo. Allegro (9:03)
18. Beethoven: 7 Variations on Bei Männern, welche Liebe fühlen from Mozart's Die Zauberflöte in E-Flat Major, WoO 46: Theme. Andante (0:51)
19. Beethoven: 7 Variations on Bei Männern, welche Liebe fühlen from Mozart's Die Zauberflöte in E-Flat Major, WoO 46: Var. 1 (0:42)
20. Beethoven: 7 Variations on Bei Männern, welche Liebe fühlen from Mozart's Die Zauberflöte in E-Flat Major, WoO 46: Var. 2 (0:43)
21. Beethoven: 7 Variations on Bei Männern, welche Liebe fühlen from Mozart's Die Zauberflöte in E-Flat Major, WoO 46: Var. 3 (0:56)
22. Beethoven: 7 Variations on Bei Männern, welche Liebe fühlen from Mozart's Die Zauberflöte in E-Flat Major, WoO 46: Var. 4 (1:15)
23. Beethoven: 7 Variations on Bei Männern, welche Liebe fühlen from Mozart's Die Zauberflöte in E-Flat Major, WoO 46: Var. 5, Si prenda il tempo un poco più vivace (0:38)
24. Beethoven: 7 Variations on Bei Männern, welche Liebe fühlen from Mozart's Die Zauberflöte in E-Flat Major, WoO 46: Var. 6, Adagio (2:19)
25. Beethoven: 7 Variations on Bei Männern, welche Liebe fühlen from Mozart's Die Zauberflöte in E-Flat Major, WoO 46: Var. 7, Allegro ma non troppo (1:54)
Intent on developing the reputation he had won in Vienna, Beethoven undertook an extensive tour ending in Berlin, home to the cello-playing Frederick William II. There he unveiled his Sonatas for Piano and Cello, Op. 5 with one of the famed Duport brothers playing cello. These are revolutionary works, with neither instrument subservient and the piano fully independent, for which in the 1790s there was no precedent. Beethoven also wrote vivacious variations on operatic music by Mozart where light-hearted playfulness and dramatic rivalry are energising features.
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