Maria Banaszkiewicz-Bryła - Suittes pour le Clavessin (2023)

Tracklist

01. Suitte I – 1. Preludio
02. Suitte I – 2. Allemanda
03. Suitte I – 3. Corrente
04. Suitte I – 4. Sarabanda
05. Suitte I – 5. Giga
06. Suitte II – 1. Preludio
07. Suitte II – 2. Allemanda
08. Suitte II – 3. Corrente
09. Suitte II – 4. Sarabanda
10. Suitte II – 5. Giga
11. Suitte III – 1. Preludio
12. Suitte III – 2. Allemanda
13. Suitte III – 3. Corrente
14. Suitte III – 4. Sarabanda
15. Suitte III – 5. Giga
16. Suitte IV – 1. Preludio
17. Suitte IV – 2. Allemanda
18. Suitte IV – 3. Corrente
19. Suitte IV – 4. Sarabanda
20. Suitte IV – 5. Giga. Variatio
21. Suitte V – 1. Preludio
22. Suitte V – 2. Allemanda
23. Suitte V – 3. Corrente
24. Suitte V – 4. Sarabanda
25. Suitte V – 5. Tempo di Gavotta
26. Suitte VI – 1. Preludio
27. Suitte VI – 2. Allemanda
28. Suitte VI – 3. Corrente
29. Suitte VI – 4. Sarabanda
30. Suitte VI – 5. Aria
31. Suitte VI – 6. Giga
32. Suitte VI – 7. Variatio
33. Suitte VII – 1. Preludio
34. Suitte VII – 2. Allemanda
35. Suitte VII – 3. Corrente
36. Suitte VII – 4. Sarabanda
37. Suitte VII – 5. Giga
38. Suitte VIII – 1. Preludio
39. Suitte VIII – 2. Allemanda
40. Suitte VIII – 3. Corrente
41. Suitte VIII – 4. Sarabanda
42. Suitte VIII – 5. Giga
43. Suitte VIII – 6. Aria
44. Suitte VIII – 7. Variatio Prima
45. Suitte VIII – 8. Variatio Seconda
46. Suitte IX – 1. Intrada
47. Suitte IX – 2. Corrente
48. Suitte IX – 3. Sarabanda
49. Suitte IX – 4. Aria
50. Suitte IX – 5. Tempo di Borée
51. Suitte IX – 6. Gavotta
52. Suitte IX – 7. Menuet

Maria Banaszkiewicz-Bryła, an outstanding soloist and chamber musician, a teacher at the Poznań Academy, this time decided to interpret the music of Pieter Bustijn – a composer from the Kingdom of the Netherlands, who lived at the turn of the 17th and 18th centuries. He is a little-known figure in the Polish community of performers and musicologists, the lack of research on the composer's life and work goes hand in hand with the negligible number of recordings of his works. All the more valuable is the double album now available to you, on which the artist included pieces from the only preserved collection of Bustijn's compositions – IX Suittes pour le Clavessin, published in Amsterdam in 1712, dedicated to Pierre de Huybert, a Flemish councillor and probably the composer's patron. It is also one of the few collections of Dutch harpsichord music preserved to this day.

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