Luigi Palombi - Max Reger - Valse d'amour, Miniatures for Piano (2024) [Hi-Res]

05 Dec, 19:05
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Artist: Luigi Palombi
Title: Max Reger - Valse d'amour, Miniatures for Piano
Year Of Release: 2024
Label: Dynamic
Genre: Classical Piano
Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
Total Time: 01:06:06
Total Size: 250 mb / 1.03 gb
WebSite: Album Preview

Tracklist

01. Max Reger, Improvisationen Op. 18 (1896), Allegretto con grazia.wav
02. Max Reger, Six Morceaux pour le Piano Op. 24 (1899), Menuet.wav
03. Max Reger, Six Morceaux pour le Piano Op. 24 (1899), Rêverie Fantastique.wav
04. Max Reger, Aquarellen Op. 25 (1897 - 1898), Mazurka.wav
05. Max Reger, Grande valse de concert pour piano, .wav
06. Max Reger, Bunte Blätter Op. 36 (1899), Capriccietto.wav
07. Max Reger, Bunte Blätter Op. 36 (1899), Reigen.wav
08. Max Reger, Bunte Blätter Op. 36 (1899), Elegie.wav
09. Max Reger, Bunte Blätter Op. 36 (1899), Valse - Impromptu.wav
10. Max Reger, Bunte Blätter Op. 36 (1899), Rêverie.wav
11. Max Reger, Silhouetten Op. 53 (1900), Sehr bewegt und ausdrucksvoll.wav
12. Max Reger, Maria - Wiegenlied Op. 76 (1911, trascr. by M. Reger).wav
13. Max Reger, Zehn Kompositionen Op. 79 (1900 - 1904), Caprice.wav
14. Max Reger, Zehn Kompositionen Op. 79 (1900 - 1904), Melodie.wav
15. Max Reger, Aus Meinem Tagebuch Op. 82 (1904 - 1912), Vol. I No. 8 Andantino.wav
16. Max Reger, Aus Meinem Tagebuch Op. 82 (1904 - 1912), Vol. IV No. 7 Humoresque.wav
17. Max Reger, Vier Spezialstudien für die linke Hand allein (1901), Romanze.wav
18. Max Reger, Eine Balletsuite Op. 130 (1913, trascr. by M. Reger), Valse d’amour.wav
19. Max Reger, Marsch der Stiftsdamen (1914), Marsch der Stiftsdamen (1914).wav
20. Max Reger, Träume am Kamin Op. 143 (1916), II Con moto.wav
21. Max Reger, Träume am Kamin Op. 143 (1916), IV Allegretto grazioso.wav
22. Max Reger, Träume am Kamin Op. 143 (1916), IX Larghetto.wav
23. Max Reger, Träume am Kamin Op. 143 (1916), X Vivace [Humoresque].wav
24. Max Reger, Fughette über das Deutschlandlied (1916).wav

Max Reger is best known for vast, abstract keyboard works in fugue and variation form. But alongside these masterful constructions his creativity also turned to more introspective album pages that reveal an entirely different side to his character. The influence of Schumann can be found in the first of his Improvisationen alongside echoes of Brahms and Chopin in the Six Morceaux. We also encounter rhapsodic miniatures from Aus meinem Tagebuch and the popular Maria-Wiegenlied, with the late collection Träume am Kamin appearing as a self-confessional summary of Reger’s career and style.

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