Dieter Hennings and Paul Vaillancourt - Juan Trigos: Guitar Works, Vol. 1 (2025) [Hi-Res]
Artist: Dieter Hennings, Paul Vaillancourt
Title: Juan Trigos: Guitar Works, Vol. 1
Year Of Release: 2025
Label: Chandos
Genre: Classical
Quality: FLAC (tracks) / 24bit-48kHz FLAC (tracks)
Total Time: 01:04:02
Total Size: 214 / 573 MB
WebSite: Album Preview
Tracklist:Title: Juan Trigos: Guitar Works, Vol. 1
Year Of Release: 2025
Label: Chandos
Genre: Classical
Quality: FLAC (tracks) / 24bit-48kHz FLAC (tracks)
Total Time: 01:04:02
Total Size: 214 / 573 MB
WebSite: Album Preview
1. 12 Variations & Fugue on the "Folia de España": Theme (0:53)
2. 12 Variations & Fugue on the "Folia de España": Var. 1 (1:27)
3. 12 Variations & Fugue on the "Folia de España": Var. 2 (2:15)
4. 12 Variations & Fugue on the "Folia de España": Var. 3 (1:31)
5. 12 Variations & Fugue on the "Folia de España": Var. 4 (2:03)
6. 12 Variations & Fugue on the "Folia de España": Var. 5 (1:03)
7. 12 Variations & Fugue on the "Folia de España": Var. 6 (1:12)
8. 12 Variations & Fugue on the "Folia de España": Var. 7 (0:55)
9. 12 Variations & Fugue on the "Folia de España": Var. 8 (1:03)
10. 12 Variations & Fugue on the "Folia de España": Var. 9 (2:07)
11. 12 Variations & Fugue on the "Folia de España": Var. 10 (1:16)
12. 12 Variations & Fugue on the "Folia de España": Var. 11 (1:13)
13. 12 Variations & Fugue on the "Folia de España": Var. 12 (3:18)
14. 12 Variations & Fugue on the "Folia de España": Fugue (3:37)
15. Ricercare de cámara VII: I. — (7:20)
16. Ricercare de cámara VII: II. — (3:12)
17. Ricercare de cámara VII: III. — (2:35)
18. Ricercare de cámara VII: IV. — (4:31)
19. Partita for Guitar: I. Arioso ma mantenendo la pulsazione (4:19)
20. Partita for Guitar: II. Con fuoco e ben ritmato sempre (6:37)
21. Partita for Guitar: III. Half Note = 40 (Quarter Note = 80) (4:46)
22. Partita for Guitar: IV. Sempre con molto slancio (3:45)
23. Partita for Guitar: V. Furente ma ben articolato (3:18)
The Mexican-American composer, Juan Trigos, has developed the concept of ‘abstract folklore’, a process by which he assimilates various literary and musical traditions in his method of composition. This first volume of his guitar works shows the process in all its breadth, not least in the large-scale Twelve Variations and Fugue on the Folía de España, where old-world dances meet syncopated new-world rhythms. The Partita, based on the principle of variation, also evokes and alludes to dance, while the virtuosic and expressive Ricercare de Cámara VII ingeniously explores the fusion of guitar and percussion.
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