Anna Prohaska, Ensemble Resonanz, Riccardo Minasi - Mozart: Haffner-Akademie (2025) [Hi-Res] [Dolby Atmos]

  • 26 Apr, 09:55
  • change text size:

Artist:
Title: Mozart: Haffner-Akademie
Year Of Release: 2025
Label: Harmonia Mundi
Genre: Classical
Quality: Dolby Atmos (E-AC-3 JOC) / flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
Total Time: 01:09:07
Total Size: 384 / 325 mb / 1.2 gb
WebSite:

Tracklist

01. Le nozze di Figaro, K. 492, Act IV Scene 10: Recitative. Giunse alfin il momento
02. Le nozze di Figaro, K. 492, Act IV Scene 10: Aria. Deh vieni, non tardar
03. Cosi fan tutte, K. 588, Act I Scene 11: Recitative. Temerari, sortite
04. Cosi fan tutte, K. 588, Act I Scene 11: Aria. Come scoglio
05. Die Entführung aus dem Serail, K. 384, Act II Scene 2: Recitative. Welcher Wechsel herrscht
06. Die Entführung aus dem Serail, K. 384, Act II Scene 2: Aria. Traurigkeit ward mir zum Lose
07. Idomeneo, re di Creta, K. 366, Act III Scene 10: Recitative. Oh smania! Oh furie!
08. Idomeneo, re di Creta, K. 366, Act III Scene 10: Aria. D'Oreste, d'Aiace
09. Symphony No. 35 in D Major, K. 385 "Haffner": I. Allegro con spirito
10. Symphony No. 35 in D Major, K. 385 "Haffner": II. Andante
11. Symphony No. 35 in D Major, K. 385 "Haffner": III. Menuetto - Trio
12. Symphony No. 35 in D Major, K. 385 "Haffner": IV. Presto
13. La clemenza di Tito, K. 621, Act II Scene 15: Recitative. Ecco il punto, o Vitellia
14. La clemenza di Tito, K. 621, Act II Scene 15: Aria. Non più di fiori
15. Idomeneo, re di Creta, K. 366, Act II Scene 2: Aria. Se il padre perdei
16. Ch'io mi scordi di te?, K. 505: Recitative. Ch'io mi scordi di te?
17. Ch'io mi scordi di te?, K. 505: Aria. Non temer, amato bene

In this superb programme structured around major pieces composed in the last ten years of Mozart’s life, Anna Prohaska and Riccardo Minasi sweep away the image of the well-mannered figure that tradition has tended to impose. They paint a bracingly complex portrait of the Salzburger after his move to Vienna, subtly blending the maestro’s historical expertise with the vigour and freshness of Resonanz, here in electrifying form.



  • platico
  •  23:15
  • Пользователь offline
    • Нравится
    • 0
gracias...
  • olga1001
  •  08:07
  • Пользователь offline
    • Нравится
    • 2
Quite radical and supple but not so crazy as their Mozart Nos. 39-41 :p
About No. 35, I take Tarmo Peltokoski !
Anna is more than just intellectual or an actress :)
Many thanks