VA - Baker's Dozen: Apéritif (2025) [Hi-Res]

  • 23 May, 13:24
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Artist:
Title: Baker's Dozen: Apéritif
Year Of Release: 2025
Label: Cantaloupe Music
Genre: Jazz
Quality: FLAC (tracks + booklet) [44.1kHz/24bit]
Total Time: 1:36:21
Total Size: 1.02 GB / 599 MB
WebSite:

Tracklist:

1. Marty Ehrlich – Sun Rays (03:26)
2. Craig Harris – Lovejoy (13:02)
3. Adegoke Steve Colson – Teachers/World Heroes [excerpt] (06:31)
4. Henry Threadgill – Mix for Orchestra – Mvt. I (06:41)
5. Harriet Tubman – The Shaman's Black Book (06:47)
6. Terri Lyne Carrington – Now and Before (06:57)
7. Jose Davila – Badinage No. 3 (11:20)
8. Noah Becker – The Oyster is Your World (10:28)
9. Christopher Hoffman – Shadow Man (02:47)
10. Marika Hughes – Panther Creek Suite (04:40)
11. Peyton Pleninger – I Love You, I Promise (03:49)
12. HERE in NOW – one/uno (03:36)
13. Joel Harrison – Jerusalem – Again (16:12)

𝘽𝙖𝙠𝙚𝙧'𝙨 𝘿𝙤𝙯𝙚𝙣: 𝘼𝙥𝙚́𝙧𝙞𝙩𝙞𝙛 is the opening phase of a long-gestating collaborative project initiated by musician, composer, author and improvisational icon Henry Threadgill. Spanning style, genre and time, this "first course" collects 13 tracks from 13 different artists — a concise but comprehensive glimpse into the daunting range of live performances and previously unreleased studio material that's represented on the forthcoming 13-album 𝘽𝙖𝙠𝙚𝙧'𝙨 𝘿𝙤𝙯𝙚𝙣 box set, planned for release later this year.

In tapping into a thriving network of musical talent, intention, innovation and creative freedom, Threadgill worked his magic as the inspirational leader he's always been. “I knew that if I had unreleased tapes, the older musicians were also sitting on tapes of original music,” he tells jazz journalist Ted Panken in the liner notes for the project. “And I didn’t want to do anything without the young musicians, because they’re the future. I had a pretty good idea of who was doing original music, particularly the ones who’d played with me — they’re all excellent composers.”

As it turned out, Threadgill's enthusiasm was infectious, and with good reason. Over the course of a storied career that stretches back to the 1960s and the early days of Chicago's Association for the Advancement of Creative Musicians (AACM), his handle on the principles of group improvisation, whether on his chosen instrument or just out-and-about in the everyday world, remains matchless. 𝘽𝙖𝙠𝙚𝙧'𝙨 𝘿𝙤𝙯𝙚𝙣 is a testament to that ethos — a robust, visionary and self-sustaining community of musical ideas where anything is possible.