Suzanne Vega - Days of Open Hand (1990)

Artist: Suzanne Vega
Title: Days of Open Hand
Year Of Release: 1990
Label: A&M Records – 395 293-2
Genre: Folk Rock, Singer-Songwriter
Quality: FLAC (tracks+.cue,log artwork)
Total Time: 45:47
Total Size: 308 Mb
WebSite: Album Preview
Tracklist: Title: Days of Open Hand
Year Of Release: 1990
Label: A&M Records – 395 293-2
Genre: Folk Rock, Singer-Songwriter
Quality: FLAC (tracks+.cue,log artwork)
Total Time: 45:47
Total Size: 308 Mb
WebSite: Album Preview
01. Tired of Sleeping (4:23)
02. Men in a War (4:48)
03. Rusted Pipe (4:17)
04. Book of Dreams (3:23)
05. Institution Green (6:15)
06. Those Whole Girls (Run in Grace) (3:09)
07. Room off the Street (3:01)
08. Big Space (3:48)
09. Predictions (4:59)
10. Fifty-Fifty Chance (2:37)
11. Pilgrimage (5:12)
Days of Open Hand is the third studio album by American singer-songwriter Suzanne Vega. It was released on April 10, 1990, through A&M Records. The album was the follow-up to the successful Solitude Standing (1987). It was produced by Vega and Anton Sanko, who also co-wrote six of the album's eleven tracks. Recording took place across multiple studios throughout New York from late 1989 to early 1990.
Days of Open Hand combines Vega's established folk-rock style with more varied instrumentation such as the ney and dumbek and experimental arrangements. High-profile contributors to the album include Philip Glass, Shawn Colvin, and John Linnell (of They Might Be Giants). The album saw greater use of synthesizers and samplers than Vega's previous studio albums; these included the Fairlight CMI and Voyetra-8.
Days of Open Hand did not match the success of its predecessor, stalling at number 50 in the US and failing to spawn a hit single. It was more successful in the UK, where it reached the top 10. Despite this, the album did surpass sales of a million copies and reviews were generally positive. Days of Open Hand was nominated for Best Contemporary Folk Recording and won the award for Best Recording Package at the 33rd Annual Grammy Awards.
Suzanne Vega is a beautiful example of an artist excelling despite her limitations. While the singer-songwriter doesn't have much of a voice, she has no problem being incredibly expressive. Subtlety is the quality that defines Days of Open Hand, an album every bit as compelling as the superb Solitude Standing. Vega doesn't need to shout or preach in order to get her points across. On "Men in a War," the folk-pop-rock explorer examines the plight of disabled veterans without expressing the type of anger that Bruce Cockburn would when addressing such a subject. Restrained and understated, treasures like "Those Whole Girls (Run in Grace)," "Rusted Pipe" and "Room Off the Street" and the unsettling "Institution Green" show that for all their delicacy, Vega's songs can be quite meaty and give listeners a great deal to think about.
Days of Open Hand combines Vega's established folk-rock style with more varied instrumentation such as the ney and dumbek and experimental arrangements. High-profile contributors to the album include Philip Glass, Shawn Colvin, and John Linnell (of They Might Be Giants). The album saw greater use of synthesizers and samplers than Vega's previous studio albums; these included the Fairlight CMI and Voyetra-8.
Days of Open Hand did not match the success of its predecessor, stalling at number 50 in the US and failing to spawn a hit single. It was more successful in the UK, where it reached the top 10. Despite this, the album did surpass sales of a million copies and reviews were generally positive. Days of Open Hand was nominated for Best Contemporary Folk Recording and won the award for Best Recording Package at the 33rd Annual Grammy Awards.
Suzanne Vega is a beautiful example of an artist excelling despite her limitations. While the singer-songwriter doesn't have much of a voice, she has no problem being incredibly expressive. Subtlety is the quality that defines Days of Open Hand, an album every bit as compelling as the superb Solitude Standing. Vega doesn't need to shout or preach in order to get her points across. On "Men in a War," the folk-pop-rock explorer examines the plight of disabled veterans without expressing the type of anger that Bruce Cockburn would when addressing such a subject. Restrained and understated, treasures like "Those Whole Girls (Run in Grace)," "Rusted Pipe" and "Room Off the Street" and the unsettling "Institution Green" show that for all their delicacy, Vega's songs can be quite meaty and give listeners a great deal to think about.