David Oistrakh - David Oistrakh plays Mozart, Beethoven & Brahms (2010)

Artist: David Oistrakh
Title: David Oistrakh plays Mozart, Beethoven & Brahms
Year Of Release: 2010
Label: Supraphon
Genre: Classical
Quality: FLAC (tracks)
Total Time: 01:10:54
Total Size: 355 Mb
WebSite: Album Preview
Tracklist:Title: David Oistrakh plays Mozart, Beethoven & Brahms
Year Of Release: 2010
Label: Supraphon
Genre: Classical
Quality: FLAC (tracks)
Total Time: 01:10:54
Total Size: 355 Mb
WebSite: Album Preview
01. Violin Concerto No. 3 in G-Sharp Major, .: I. Allegro (00:08:36)
02. Violin Concerto No. 3 in G-Sharp Major, .: II. Adagio (00:08:24)
03. Violin Concerto No. 3 in G-Sharp Major, .: IV. Rondo. Allegro (00:06:28)
04. Romance No. 2, Op. 50, .: Romance No. 2 (00:08:37)
05. Violin Concerto in D-Sharp Major, Op. 77, .: I. Allegro non troppo (00:21:41)
06. Violin Concerto in D-Sharp Major, Op. 77, .: II. Adagio (00:09:10)
07. Violin Concerto in D-Sharp Major, Op. 77, .: III. Allegro giocoso, ma non troppo vivace (00:07:58)
Total length: 01:10:54
Label: SUPRAPHON a.s.
Performers:
David Oistrakh (violin)
Czech Philharmonic Orchestra
Karel Ancerl
Antonio Pedrotti
Born in Odessa in 1908, David Oistrakh became one of the greatest violin legends of the 20th century. In 1946 Prague was among the first destinations of his post-war foreign tours. From that time on he would repeatedly return to the city as a violinist and conductor.
Owing to his technical mastery and exquisitely warm tone, Oistrakh became an insuperable interpreter of grand Romantic concerti. Serving as a case in point is Brahms’s Concerto in D major, a work of extreme technical difficulty, recorded in Prague with the Czech Philharmonic Orchestra, conducted by Antonio Pedrotti.
Yet true mastery is frequently manifested on a seemingly simple Classicist repertoire; the lucid structure and straightforward melodiousness require of the performer stylistic purity as well as balance and culture of tone. These very qualities are characteristic of Oistrakh’s recording of Mozart’s third violin concerto and Beethoven’s Romance, Op. 50, which he made in 1954 with Karel Ancerl conducting the Czech Philharmonic, already as a world-renowned virtuoso.
For the purpose of this release, the legendary recordings have been remastered from the original tapes.
Owing to his technical mastery and exquisitely warm tone, Oistrakh became an insuperable interpreter of grand Romantic concerti. Serving as a case in point is Brahms’s Concerto in D major, a work of extreme technical difficulty, recorded in Prague with the Czech Philharmonic Orchestra, conducted by Antonio Pedrotti.
Yet true mastery is frequently manifested on a seemingly simple Classicist repertoire; the lucid structure and straightforward melodiousness require of the performer stylistic purity as well as balance and culture of tone. These very qualities are characteristic of Oistrakh’s recording of Mozart’s third violin concerto and Beethoven’s Romance, Op. 50, which he made in 1954 with Karel Ancerl conducting the Czech Philharmonic, already as a world-renowned virtuoso.
For the purpose of this release, the legendary recordings have been remastered from the original tapes.