InAlto, Lambert Colson, Bernard Foccroulle - Merula: Concerti spirituali (2025) [Hi-Res]

Artist: InAlto, Lambert Colson, Bernard Foccroulle
Title: Merula: Concerti spirituali
Year Of Release: 2025
Label: Ricercar
Genre: Classical
Quality: FLAC (tracks) / 24bit-192kHz FLAC (tracks+booklet)
Total Time: 01:17:04
Total Size: 351 MB / 1.40 GB
WebSite: Album Preview
Tracklist:Title: Merula: Concerti spirituali
Year Of Release: 2025
Label: Ricercar
Genre: Classical
Quality: FLAC (tracks) / 24bit-192kHz FLAC (tracks+booklet)
Total Time: 01:17:04
Total Size: 351 MB / 1.40 GB
WebSite: Album Preview
1. Merula: Composizioni per Organo e Cembalo: Intonazione cromatica del terzo tono (2:17)
2. Merula: Canzoni a quattro voci, Op. 1: No. 2, La Lusignuola (3:52)
3. Merula: Canzonetta Spirituale sopra alla nanna: Hor ch’è tempo di dormire (7:58)
4. Merula: Intonazione cromatica del quarto tono (3:33)
5. Merula: Canzoni da suonare, Op. 17: No. 18, La Cavagliera (3:20)
6. Merula: Composizioni per Organo e Cembalo: Canzon II in C Major (2:26)
7. Merula: Canzonetta Spirituale: Chi vuol ch'io m’innamori (3:21)
8. Merula: Composizioni per Organo e Cembalo: Capriccio cromatico (4:02)
9. Merula: Canzoni overo sonate concertate, Op. 12: No. 24, Ballo detto Pollicio (2:29)
10. Merula: Motetti e sonate concertati, Op. 6: Sonata prima à 2 (5:02)
11. Merula: Composizioni per Organo e Cembalo: Toccata del secondo tono (3:30)
12. Merula: Motetti e sonate concertati, Op. 6: Sonata seconda à 2 (5:02)
13. Merula: Composizioni per Organo e Cembalo: Canzon "La Marca" (3:18)
14. Merula: Pegaso, Op. 11: Gaudeamus omnes in Domino (3:28)
15. Merula: Canzoni a quattro voci, Op. 1: No. 4, La Merula (3:58)
16. Merula: Composizioni per Organo e Cembalo: Intonazione cromatica del nono tono (3:05)
17. Merula: Composizioni per Organo e Cembalo: Canzon V in G Major (4:45)
18. Merula: Canzoni overo sonate concertate, Op. 12: No. 4, La Treccha (4:29)
19. Merula: Composizioni per Organo e Cembalo: Capriccio (3:04)
20. Merula: Motetti e sonate concertati, Op. 6: Favus distillans (4:12)
Tarquinio Merula belonged to a generation of Italian composers, all of whom were born around 1600, for whom the concertante style was no longer a new idiom but a preferred musical medium, one that had been acquired in childhood and which had become not only the dominant musical language of the time but which was also to spread across the whole of Europe. Tarquinio Merula was renowned as a violin and organ virtuoso and published a wide variety of instrumental music per la chiesa e la camera. Here InAlto explores Merula’s sacred works, including the famous lullaby Hor che è tempo di dormire. His works may seem simple at times, but are impressively innovative; whilst sacred in character, they are rooted in human emotion.