Tom Beghin - Mozart: Piano Sonatas with Varied Reprises, K. 279–284 (2025) [Hi-Res] [Dolby Atmos]

Artist: Tom Beghin
Title: Mozart: Piano Sonatas with Varied Reprises, K. 279–284
Year Of Release: 2025
Label: Evil Penguin Classic
Genre: Classical Piano
Quality: Dolby Atmos (E-AC-3 JOC) / flac lossless (tracks) / flac 24bits - 96.0kHz
Total Time: 02:19:00
Total Size: 764 / 472 mb / 2.08 gb
WebSite: Album Preview
TracklistTitle: Mozart: Piano Sonatas with Varied Reprises, K. 279–284
Year Of Release: 2025
Label: Evil Penguin Classic
Genre: Classical Piano
Quality: Dolby Atmos (E-AC-3 JOC) / flac lossless (tracks) / flac 24bits - 96.0kHz
Total Time: 02:19:00
Total Size: 764 / 472 mb / 2.08 gb
WebSite: Album Preview
CD1
01. Piano Sonata in C Major, K. 279: I. Allegro
02. Piano Sonata in C Major, K. 279: II. Andante
03. Piano Sonata in C Major, K. 279: III. Allegro
04. Piano Sonata in F Major, K. 280: I. Allegro assai
05. Piano Sonata in F Major, K. 280: II. Adagio
06. Piano Sonata in F Major, K. 280: III. Presto
07. Piano Sonata in B-Flat Major, K. 281: I. Allegro
08. Piano Sonata in B-Flat Major, K. 281: II. Andante amoroso
09. Piano Sonata in B-Flat Major, K. 281: III. Rondeau
CD2
01. Piano Sonata in E-Flat Major, K. 282: I. Adagio
02. Piano Sonata in E-Flat Major, K. 282: II. Menuetto I - III. Menuetto II
03. Piano Sonata in E-Flat Major, K. 282: IV. Allegro
04. Piano Sonata in G Major, K. 283: I. Allegro
05. Piano Sonata in G Major, K. 283: II. Andante
06. Piano Sonata in G Major, K. 283: III. Presto
07. Piano Sonata in D Major, K. 284: I. Allegro
08. Piano Sonata in D Major, K. 284: II. Rondeau en Polonaise
09. Piano Sonata in D Major, K. 284: III. Thema con 12 variazioni
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In 1775 Leopold Mozart made an offer to publisher Breitkopf in Leipzig: to print an opus of keyboard sonatas by his son mit veränderten Reprisen, following the famous example set by C. P. E. Bach. Breitkopf declined, but after 250 years the idea still resonates: what might Wolfgang Amadé Mozart’s Sonatas with Varied Reprises have sounded like?
Played on a highly responsive Stein fortepiano, Tom Beghin’s reconstituted score of K. 279–284 (Munich, 1775) provides a captivating answer—one that challenges our familiarity with six classics of the repertoire, while also paying tribute to Mozart’s supreme improvisational skills.