Anita Kerr - Piano Sounds of Anita Kerr (1973)

Anita Kerr was the vocal embodiment of the "Nashville Sound" which dominated country music throughout the mid-'50s and '60s. Along with the Jordanaires, the Anita Kerr Singers were the seminal backing vocal unit of the era, and it is estimated that at their early-'60s peak, they graced fully one-quarter of all of the records coming out of Nashville's studios. During the latter half of the '60s, Kerr operated out of Los Angeles, branching out into pop, jazz, and easy listening and working as a composer and producer. She eventually settled in Switzerland where she operated a successful studio and continued working through the '80s. Kerr remained in Switzerland until her death in 2022.

Kerr was born Anita Jean Grilli on October 31, 1927 in Memphis, Tennessee; her mother hosted a local radio program there, and by the age of four, Anita herself was taking piano lessons. In her early teens, she formed her own girl group, the Grilli Sisters, which soon became a fixture on her mother's radio show. At age 14, she was hired as the station's staff pianist. In 1948, Kerr left Memphis and began playing piano on the club circuit. The following year, she formed the Anita Kerr Singers, which also featured alto Dottie Dillard, tenor Gil Wright, and baritone Louis Nunley. After gaining some fame on regional radio, NBC hired the Singers for the program Sunday Down South, with Kerr brought aboard as chorus director.

In 1951, the group signed to Decca and began their career as a studio backing unit. Five years later, the Singers made their first appearance on the New York-based Arthur Godfrey Talent Scouts television program and quickly became featured players, splitting their time between the broadcast and their session work. In the mid-'50s, Kerr joined forces with Chet Atkins, then the head of RCA Records' country division and the creator of the pop-centric "Nashville Sound," which employed vocal choruses as a means of smoothing over country music's rougher edges. The Anita Kerr Singers appeared on literally hundreds of the era's most prominent recordings, including releases from Jim Reeves, Roy Orbison, Floyd Cramer, Dottie West, Hank Snow, Eddy Arnold, and Lorne Greene -- even pop singers like Perry Como and Brook Benton enlisted Kerr's talents. She also produced Skeeter Davis' End of the World album, making Kerr one of the very first women to oversee a Nashville recording.

After touring Europe in 1964, she moved to California the next year to focus her energies on freelance production and songwriting, even as two of the Singers' LPs, We Dig Mancini! and Southland Favorites, were winning Grammy awards (in the Vocal Group and Gospel categories, respectively). In the later years of the decade, Kerr teamed with poet Rod McKuen for a series of mood-music records, titled The Sea, The Earth, and The Sky, for which the Singers were renamed the San Sebastian Strings and Singers. At the same time, the group was featured weekly on The Smothers Brothers' sketch comedy program.

By the 1970s, Kerr was producing a number of easy listening records and composing music for films. Relocating to her second husband Alex Grob's native Switzerland, she formed yet another version her Singers which released albums prolifically throughout most of that decade. In addition to this, Kerr wrote arrangements for publishing giant Hal Leonard Corporation and operated Montreux-based Mountain Studios which she later sold to the band Queen. In the '80s her output began to slow, though she did submit and conduct her own piece, "Piano, Piano," as Switzerland's entry to the 1985 Eurovision Song Contest. Kerr remained in Switzerland for the remainder of her life and died on October 10, 2022, at a nursing home in Geneva, Switzerland; she was 94. ~ Jason Ankeny & Timothy Monger