Hallé, Masabane Cecilia Rangwanasha, Dame Sarah Connolly - Mahler: Symphony No. 2 in C Minor "Resurrection" (Live) (2025) [Hi-Red]

Artist: Hallé, Masabane Cecilia Rangwanasha, Dame Sarah Connolly
Title: Mahler: Symphony No. 2 in C Minor "Resurrection" (Live)
Year Of Release: 2025
Label: Halle Concerts Society
Genre: Classical
Quality: flac lossless (tracks) / flac 24bits - 48.0kHz +Booklet
Total Time: 01:25:10
Total Size: 320 / 751 mb
WebSite: Album Preview
TracklistTitle: Mahler: Symphony No. 2 in C Minor "Resurrection" (Live)
Year Of Release: 2025
Label: Halle Concerts Society
Genre: Classical
Quality: flac lossless (tracks) / flac 24bits - 48.0kHz +Booklet
Total Time: 01:25:10
Total Size: 320 / 751 mb
WebSite: Album Preview
01. Symphony No. 2 in C Minor Resurrection: I. Allegro maestoso: Mit durchaus ernstem und feierlichem Ausdruck (Live)
02. Symphony No. 2 in C Minor Resurrection: II. Andante moderato (Live)
01. Symphony No. 2 in C Minor Resurrection: III. In ruhig fliessender Bewegung (Live)
02. Symphony No. 2 in C Minor Resurrection: IV. 'Urlicht': Sehr feierlich, aber schlicht (Choralmӓssig) (Live)
03. Symphony No. 2 in C Minor Resurrection: V. Im Tempo des Scherzos: Wild herausfahrend - Langsam - Allegro energico - Langsam (Live)
![Hallé, Masabane Cecilia Rangwanasha, Dame Sarah Connolly - Mahler: Symphony No. 2 in C Minor "Resurrection" (Live) (2025) [Hi-Red]](https://www.dibpic.com/uploads/posts/2025-11/1762440922_halle-masabane-cecilia-mahler-symphony-no_-2-in-c-minor-resurrection-live-2025-back.jpg)
This release captures the January 2025 concert from Manchester’s Bridgewater Hall. Rapturously received by the capacity audience and acclaimed by the critics, the Hallé’s performance of this monumental work marks a significant milestone in Kahchun Wong’s tenure as Principal Conductor. Thought of as being the composer’s most ambitious search for the meaning of life, the Second Symphony is conceived and delivered on an epic scale, featuring soloists, choir and an enlarged orchestra. The music offers a directness of expression which transports the listener through a series of climaxes and reflections, culminating in a Last Judgement in which the composer said, ‘an overwhelming love illuminates our being’. The release is accompanied by a personal introduction from Kahchun Wong, reflecting on what the music of Mahler means to him, and a programme note by Mahler expert, composer David Matthews.